reading from left to right: Bottom, (1) Coat-of-arms of St. John and the words, “James, servant of God;” (2) St. James preaching to the natives of Spain; (3) St. James before the judge, forgiving his accuser and giving him his blessing, “Peace be with thee;” (4) Coat-of-arms of King Ramira I of Spain, and the words (to be read with those first quoted), “And of the Lord Jesus Christ.” Middle, (1) “Unto his shrine the mighty and the lowly fared on pilgrimage;” (2) “St. James, the radiant knight, upon a great white horse;” (3) “Before the banner of his name the Moorish warriors fled;” (4) “At Compostella still men serve Santiago’s shrine.” Top, (1) angel with ΙϹ-ΧϹ symbol; (2) “They bore his body to a ship that sailed for Spain;” (3) “Over his tomb they built a chapel passing fair;” (4) Angel with Ichthus symbol.[34] In the tracery at the extreme top is a representation of the Crucifixion. The window was given by Bishop Potter’s daughters and was designed and made by Mr. Henry Wynd Young, glass-painter, of New York City. In niches of the walls of the chapel are the following statues and symbols: _East Wall_, St. Augustine of England with crozier (left) and St. Gregory the Great (who sent him to England) with papal tiara and papal cross (right) _West Wall_, end of main aisle, above, Christ between his kinsmen St. James the Great (left) and St. James the Less (right); and at end of south aisle, the Venerable Bede. On four escutcheons, two on each side of the west door, are: (1) A floriated cross (emblematic of the flowering or productiveness of the Christian religion); (2) the monogram =ihc= (representing the first two and last letters, uncial form, of the Greek word for Jesus[35]); (3) the Greek cross form of the chi rho monogram (first two Greek letters of the name Christ); and (4) the Alpha and Omega, the first and last letters of the Greek alphabet, (Rev. i. 8). _North Wall_, statue of William of Wykeham. In the upper part of the north wall is the gallery of the organ, which is independent of the great organ of the Cathedral. Choir Stalls near the Altar are a distinctive feature of this chapel. Two clustered columns divide the south aisle into three bays in the middle one of which is _Bishop Potter’s Tomb_, of Siena marble. On the tomb is a recumbent figure of the Bishop in Serevezza marble, by Mr. James E. Frazer. The Bishop is represented in his episcopal robes, and the execution is so fine that even the texture of the lawn sleeves is apparent. On the front of the tomb is inscribed: “Henry Codman Potter ‖ MDCCCLXXXIII Assistant Bishop of New York MDCCCLXXXVII ‖ Bishop of New York ‖ MDCCCLXXXVII-MCMVIII ‖ Upholder of Righteousness and Truth ‖ Soldier and Servant of Jesus Christ.” [Illustration: THE SANCTUARY OF THE CHAPEL OF ST. JAMES] On the rear: