of Notre Dame in Paris. (3) Seven horizontal bars, alternately blue and gold, being the arms of Bertrand d’Eschaux, Archbishop of Tours. (4) On a blue field, a white Latin cross with trefoiled ends, being the arms of the Chapter of Poitiers. (5) On a blue cloak surrounded by red, a white sword, cross-hilt upward, emblematic of St. Martin. (6) On a blue field sprinkled with golden fleurs de lis, a red Greek cross, representing the Archdiocese of Rheims.[39] (7) On a blue field, three golden fleurs de lis under a white “label” or mark of cadency of eldest son,[40] being the royal arms of the Dukes of Orleans. A _Statue of Joan of Arc_, expressing her spiritual character, by Miss Anna Vaughn Hyatt, was placed in this chapel in 1922. It was given by Mr. J. Sanford Saltus through Dr. George F. Kunz, President of the Joan of Arc Statue Committee which erected the equestrian statue of the Maid by the same sculptress in Riverside Drive. Near it are two rough stones from the Chateau de Rouen in which the Maid was imprisoned at the time of her trial and from which she was led to the stake. The wrought-iron _Screen_ of beautiful tracery at the entrance, designed in the office of Messrs. Cram & Ferguson and made by Messrs. F. Krasser & Co., of Boston, is a particularly lovely example of this form of art. While not copied from any existing mediaeval prototype, it shows the influence of the wrought-iron work of the Romanesque and early Gothic periods of France. The shell ornament in the section below the cornice is symbolical of St. Martin as a pilgrim, while the finials and cresting, blossoming with roses, signify the flowering of the Christian religion. In the frieze are four panels depicting four scenes which are described in a quaintly lettered inscription in the moulding above: “S. Martin shares cloak with Beggar ‖ Our Lord appears in cloak to S. Martin ‖ S. Martin receives holy baptism ‖ Saint Martin journeys to Rome.” [Illustration: Coats of Arms in Windows of Chapel of St. Martin of Tours.] An inscription on the wall of the chapel reads: “The Chapel of ‖ Saint Martin of Tours ‖ Consecrated 1918 ‖ To the worship of ‖ Almighty God ‖ and in Loving Memory of ‖ William P. Furniss ‖ and His Wife ‖ Sophia Furniss ‖ and their Daughter ‖ Sophia R. C. Furniss.” In another panel is this inscription: “To the ‖ Glory of God ‖ and in Loving Memory of ‖ Clementina Furniss ‖by Whose Gift ‖ this Chapel ‖ was Erected ‖ and ‖ Margaret Elizabeth Zimmerman ‖ Daughters of ‖ William P. Furniss ‖ and his wife ‖ Sophia Furniss.” The Chapel of St. Saviour SAINT SAVIOUR, the name of this chapel, means Holy Saviour, the word Saint being used in its primary sense as an adjective, derived from the Latin “sanctus.” The Memorial Day for St. Saviour is kept on December 25.