A Handbook of Modern JapanClement, Ernest W. (Ernest Wilson)
History
A Handbook of Modern Japan
Clement, Ernest W. (Ernest Wilson)
Japan
There are also many “flower festivals,” such as those of viewing the
plum, cherry, wistaria, iris, morning-glory, lotus, maple, etc.[58]
One of the most important of the Buddhist festivals is that in honor
of the spirits of the dead; it is called _Bon-matsuri_ and comes in the
middle of July. Buddha’s birthday in April is also observed. There is
a Japanese Memorial Day, celebrated twice a year in May and November,
when immense crowds flock to the shrines called _Shōkonsha_, and pay
their homage to the spirits of those who have died for their country.
Moreover, space would fail to tell of the numerous local shrines and
temples, Shintō and Buddhist, where the people flock annually or
semi-annually, to “worship” a few minutes and enjoy a picnic for the
remainder of the day. And, in Christian circles, Christmas, Easter, and
Sunday-school picnics are important and interesting occasions.
The common games are chess, _go_ (a very complicated game slightly
resembling checkers), parchesi, and cards. Flower-cards and poetical
quotations are old-style, but still popular; while Occidental cards,
under the name of _torompu_ (“trump”) are coming into general use.
Children find great amusement also with kites, tops, battledore and
shuttlecock, snow-men, dolls, cards, etc.[59] The chief sports of young
men are wrestling, rowing, tennis, and baseball. In the great American
game they have become so proficient that they frequently win against
the Americans and British who make up the baseball club of the Yokohama
Athletic Association!
Professional wrestling-matches[60] continue to draw large crowds to see
the huge masses of flesh measure their strength and skill. _Jūjutsu_
is a kind of wrestling in which skill and dexterity are more important
than mere physical strength.[61] Sleight-of-hand performers and
acrobats are quite popular.
The theatre[60] is a very important feature in the Japanese world of
amusements, and still remains about the only place where Old Japan
can be well studied. Theatrical performances in Japan are, of course,
quite different from those in the Occident, and seem very tedious to
Westerners, partly because they are so long and partly because they
are unintelligible. When the writer attended the theatre in Mito, the
play began, thirty minutes late, at 3:30 P. M., and continued, without
interruption, until almost midnight. Then, according to custom, a short
supplementary play of almost an hour’s duration followed, so that it
was about one o’clock when he finally reached home. The Japanese,
however, are accustomed to this “sweetness long drawn out,” and either
bring their lunches or slip out between acts to get something to eat
and drink, or buy tea and cake in the theatre.
Public-domain text, read in full here on John Shaqi.
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