Costume -- Great Britain -- History; Great Britain -- History; Great Britain -- History -- Pictorial works
The fashions in dress changed so rapidly, however, and were so
numerous, that it is impossible to record all the variations of the
times. Their diversity and variety will be seen by looking at any of
the prints recording social events, which are found in our public
collections and are reproduced in the magazines.
[Illustration: PLATE 52.
(Fig. 1): A lady with a very tightly laced bodice and hoop
petticoat, in fashion about 1718. (Fig. 2): A lady in the
fashion of 1755, showing a later development of the hoop
petticoat, when, owing to the torrent of invectives levelled
at it, it became more constricted in its dimensions. In this
form it much resembles the farthingale of Elizabeth’s time.
(Fig. 3): Hooded head-dress worn in 1727; a complete envelope
for the head, commonly used in riding and travelling, as well
as when walking in the parks. It was called a Nithisdale,
because when Lord Nithisdale escaped from the Tower dressed
as a woman, by the assistance of his devoted wife, his
features were concealed in a hood like this. (Fig. 4): Hat of
the milk-maid type, such as was affected by ladies in 1727
(from the “Musical Entertainer”). (Fig. 5): High-heeled and
small-pointed shoe of embroidered silk, with a thin sole of
leather such as was worn by the lady in Fig. 7. (Fig. 6):
The clog for the shoe seen in Fig. 5 is made of leather,
ornamented by coloured silk threads worked with a needle.
Figs. 5 and 6 are from Hone’s “Everyday Book.” (Fig. 7): A
good specimen of the fashion in the hoop petticoat, from a
curious print called the “Review,” published about 1740. The
hoop, which was formed of whalebone, stretches the dress on
all sides, so that it rises from the ground, and allows the
small-pointed, high-heeled shoes to be seen. The wearer had to
double the hoop round in front, or lifted it up on each side
when she entered a door or carriage, and, when seated, she
occupied the space usually allotted for half a dozen of the
male sex. (All the above are from contemporary engravings.)]
GEORGE III.
MALE COSTUMES.
King George III. was very young when he came to the throne, and he was
retiring and modest in his personal habits, so that he did not set the
fashion in any extravagant direction. The nobility and gentry started
all that was new in the fashions without waiting for the royal sanction
to their flippancies and extravagances.
Both ladies and gentlemen dressed simply at first, Fig. 1 being the
type of the male costume of the time. It was only remarkable for the
great quantity of lace with which the coat and waistcoat were trimmed.
The dress of the countryman at this time was conspicuous for its
“bagginess.” The garments were full and easy, the natural hair was
worn; a loosely-twisted neckcloth, enormous hat, and easy shoes
completed a dress, which “was remarkable as fitting only where it
touched.”
Public-domain text, read in full here on John Shaqi.
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