Costume -- Great Britain -- History; Great Britain -- History; Great Britain -- History -- Pictorial works
Mr. Fairholt, in his well-known work on “Costume in England,” says:
“A knowledge of costume is, in some degree, inseparable from a right
knowledge of history. We can scarcely read its events without, in some
measure, picturing in the mind’s eye the appearance of the actors.”
What is true of costume, which includes, of course, civil, military,
and ecclesiastical costume, is equally true of architecture and other
matters associated with the daily lives of our forefathers.
How they lived and died, how they worked, how they dressed, how and
where they worshipped God, and the influences brought to bear upon them
by the Church, must be realized as factors in the development of the
nation.
It is hoped that this work may prove useful to the student, to the
pupils in our schools and colleges, and to teachers who have not been
able to make a special study of these things.
Several plans of arranging the subject-matter have suggested
themselves, and the writer has thought--though it is open, of course,
to criticism--that the work would be most usefully and most easily
consulted by arranging it under the heads of our historic periods.
It will be readily understood that this is merely an arbitrary
arrangement, and that there must be overlapping at times. The aim
has been to make each section as complete as possible in the given
space, and yet to avoid tedious details. To experts the food may seem
very light, but it is to the average student and teacher, to whom the
subjects are new, that the work must appeal.
Every effort has been made to secure accuracy and truthfulness, both in
the matter and in the six hundred and eighty drawings which illustrate
it.
Very many works have been consulted, and, as _all the illustrations
are from authentic and contemporary sources_, it is hoped that the
usefulness of the work will be very considerable.
The writer wishes to express his great obligation to the following
writers and books, whom he has laid under contribution:--
Public-domain text, read in full here on John Shaqi.
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