(Fig 12): Bronze figure of a daughter of Edward III., from his tomb in Westminster Abbey (1377). She wears a dress, however, which was in vogue twenty years earlier. The hair is arranged in square plaits at the sides of the head. There is an absence of any decorative material round the low-cut neck, and she has vertical front pockets in her tightly fitting gown, with long streamers hanging from the arms down to the feet. (Figs. 13 and 14): Two methods of “doing the hair” in the time of Edward I. (Fig. 14): Shows the hair enclosed in a caul or net, and is spoken of as “the reticulated head-dress.” (Fig. 15): Head-dress from the Braunche Brass. (King’s Lynn, 1354.) (Fig. 16): The Coif.] [Illustration: PLATE 32. (Fig. 1): Bronze figure of Lionel Duke of Clarence (a son of Edward III.), from the tomb of the latter in Westminster Abbey (1377). It illustrates the ordinary costume of a gentleman at the end of the fourteenth century. He is attired in the côti-hardi or jupon, fastened down the front with buttons, and wears an ornamented girdle around the hips, while a large, full mantle reaches down to the ankles. The chausses are very similar in appearance to trunk hose, and fit tightly to the limbs; while the beard is forked after the fashion of the period. (Fig 2): Brass of Joan, Lady de Cobham, 1320, at Cobham, Kent. She wears a kind of wimple under the chin called the _gorget_ (which copies a part of the knightly armour of the period), with a couvre-chef over the head falling on to the shoulders, completing the head-dress. She wears an under garment with tight-fitting sleeves, which are closely buttoned to the wrist, and a loose robe with loose sleeves terminating below the elbow. (Fig 3): A fop of the reign of Richard II., when the fashion of “cutting” the mantles in patterns reached a very absurd limit. The sleeves are cut at the edges into a number of acanthus-like lobes, and are lined with another colour. The robe has a high collar, is very full, and hangs in loose folds to the ground. The shoes, which are elaborately pierced and cut, are of the long-toed variety known as “crackowes,” and the point of the toe is fastened to the leg below the knee. He also carries a long purse or bag suspended from the girdle. (Harl. MS., 1319.) (Fig. 4): Costume of the early part of Edward III.’s reign. A semi-military dress with a breastplate worn under the côte-hardi. A very characteristic feature of the costume is formed by the tippets--long strips of white cloth, which are fastened to the arms above the elbow. (MS. 17 E vi.) (Fig. 5): Costume of a labourer of the better class of the time of Edward III. The tail of the hood is worn around the head. (Fig 6): Costume of a nobleman in the reign of Richard II., probably representing one of his royal uncles. (Royal MS., 20 B vi.) It shows another extravagant dress of the period. The