British -- Norway -- Fiction; Conduct of life -- Fiction; Norwegians -- England -- Fiction
“And, oh, my dear, far better go alone than take Miss Falck!” said Mrs.
Horner. “I shall never forget what I endured when I took her with me to
hear Corney Grain; she laughed aloud, my dear; laughed till she
positively cried, and even went so far as to clap her hands. It makes me
hot to think of it even.”
Mrs. Horner belonged to that rather numerous section of English people
who think that it is a sign of good breeding to show no emotion. She had
at one time been rather taken by Sigrid’s charming manner, but the
Norwegian girl was far too simple and unaffected, far too spontaneous,
to remain long in Mrs. Horner’s good books; she had no idea of enjoying
things in a placid, conventional, semi-bored way, and her clear, ringing
laugh was in itself an offense. Mrs. Horner herself never gave more than
a polite smile, or at times, when her powers of restraint were too much
taxed, a sort of uncomfortable gurgle in her throat, with compressed
lips, which gallantly tried to strangle her unseemly mirth.
“I always enjoy going anywhere with Sigrid,” said Cecil, who, gentle as
she was, would never consent to be over-ridden by Mrs. Horner. “It seems
to me that her wonderful faculty for enjoying everything is very much to
be envied. However, there is no chance of her going to-night; I will
call and see whether one of the Greenwoods is disengaged.”
So with hasty farewells she went off, laughing to herself as the cab
rattled along to think of Mrs. Horner’s discomfort and Sigrid’s intense
appreciation of Corney Grain. Fate, however, seemed to be against her;
her friends, the Greenwoods, were out for the evening, and there was
nothing left for it but to drive home again, or else to go in alone and
trust to finding Roy afterward. To sacrifice her chance of hearing the
_Elijah_ with Albani as soprano merely to satisfy Mrs. Grundy was too
much for Cecil. She decided to go alone, and, writing a few words on a
card asking Roy to come to her at the end of the oratorio, she sent it
to the _artistes’_ room by one of the attendants, and settled herself
down to enjoy the music, secretly rather glad to have an empty chair
instead of Mrs. Horner beside her.
Public-domain text, read in full here on John Shaqi.
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