Trevor Chute could not now make, as in the past time, such
settlements as her father's ambition required and deemed necessary;
yet his means were ample, and she had lands, riches, and position
enough for both; so why should she not be his wife?
Such are the idiosyncrasies of human nature, that her father, who
once liked Trevor Chute, now disliked, and more than disliked him,
because he felt quite sensible that he had done the frank but
unfortunate soldier who had loved his daughter a wrong.
To stay in town with this engagement on the _tapis_, and this
marriage in prospect, was more, however, than Clare cared to endure,
or Ida either. When it was pressed upon the baronet that the three
sisters should go to Carnaby Court or elsewhere, he affected much
surprise, as they had barely reached the middle of the season, and
the engagement list contained many affairs towards which Clare, and
certainly Violet, had looked forward with interest.
Though he made a show of some opposition to all this, Sir Carnaby was
not unwilling to be left in town alone at this time, where he had to
be in frequent attendance upon his intended, where there were
settlements to arrange, a _trousseau_ to prepare, and jewels to
select, so the plan of Clare and Ida was at once adopted.
CHAPTER XI.
A ROMANCE OF THE DRAWING-ROOM.
'It is bitter,' says a powerful writer, 'to know those whom we love
dead; but it is more bitter to be as dead to those who, once having
loved us, have sunk our memory deep beneath an oblivion that is not
the oblivion of the grave.'
Jerry Vane had experienced much of this bitterness in the past time;
but new hopes were already dawning within him.
He had received Clare's message from Trevor Chute, who, for the life
of him, in the fulness of his own joy, could not, nathless his
promise to her, help telling Vane what she had said of Ida's probable
wishes; thus, with a heart light as a bird's, on the evening of the
'at-home,' he betook himself to a part of Belgravia where at that
season the great houses, rising floor above floor, have usually every
window ablaze with light, and awnings of brilliant hues extending
from the pillared portico to the kerb, with soft bright carpets
stretched beneath for the tread of pretty feet in the daintiest of
boots, while the carriages, with rich liveries and flashing harness,
line the way, waiting to set down or take up.
Countless carriages were there; those which had deposited their
freights were drawn up on the opposite side of the square, wheel to
wheel, like a park of artillery; others were setting down past the
lighted portico, which was crowded by servants in livery. The bustle
was great, nor were smart hansoms and even rickety 'growlers' wanting
in the throng of more dashing vehicles, bringing bachelors, like
Jerry, from their clubs.
Public-domain text, read in full here on John Shaqi.
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