CHAPTER XXXI.
The Balance Of Power
CHAPTER XXXII.
The Brand from the Burning
CHAPTER XXXIII.
An Unexpected Meeting
CHAPTER XXXIV.
The Riddle Solved
A HERO OF THE PEN
CHAPTER I.
Love And Death.
The scene of our story is a town on the Mississippi, about midway in
its course from Lake Itasca to the Gulf; the time is a cloudless
January day of the year 1871. A score of years ago, this town consisted
of only a dozen or so roughly built wooden houses; but emulating the
marvellous growth of American cities, it has expanded into a populous,
thriving business centre.
The dazzling, midday sunbeams enter the windows of a large, suburban
mansion, situated upon a hill commanding an unequalled prospect. The
elegance of its surroundings, the exquisite taste and richness of its
appointments, its artistic and expensive construction, distinguish this
residence of the millionaire, Forest, from all others far and near.
In the magnificent parlor, giving evidence of that superfluity of
expensive comfort and luxury which to wealthy Americans seems an
absolute necessity of life, sits a young lady, in an elaborate and
costly home dress. She is a girl of some twenty summers, and sitting
near the open fire, whose shifting gleams light up her face and form,
with her head resting thoughtfully in her hand, she listens to the
conversation of the man opposite her. The face a perfect oval, of a
clear, colorless, brunette complexion, with large, brown eyes and
perfectly regular features, is set in a frame of dark, luxuriant hair,
and possesses undeniable claims to beauty. And yet there is something
wanting in this exquisite face. It is that joyous, artless expression
which so seldom fails in youth; that breath of timidity we look for in
young maidenhood, and that look of gentleness a woman's face seldom
entirely lacks, and never to its advantage. There is a chilling gravity
in this young girl's whole appearance, a confident repose, an
undeniable self-consciousness; and yet it does not seem as if heavy
life-storms or premature sorrows can have brought to her the sad
experiences of later years. For this her brow is all too smooth--her
eyes too bright. Either inborn or inbred must be that seriousness
through which her beauty gains so much in expression, although it loses
infinitely in the tender grace and charm of both.
Public-domain text, read in full here on John Shaqi.
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