Children -- Fiction; Pirates -- Fiction; Sea stories
There was something a little nightmare-like in the whole scene which
riveted the children’s attention, and was very near the border of
frightening them. It was with something of a struggle that at last
Margaret said ‘Let’s go on the ship.’ So they all went on board: and
feeling a little unprotected even there, descended into the hold, which
was the safest place because they had already slept in it. They sat
down on the kelson without doing or saying much, still with a vague
apprehension, till boredom at last eliminated it.
‘Oh I _wish_ I had brought my paint-box!’ said Emily, with a sigh
fetched right up from her boots.
ii
That night, after they had all gone to bed, they saw in a half-asleep
state a lantern bobbing up and down in the open hatch. It was held by
José, the little monkeyfied one (they had already decided he was the
nicest of the crew). He was grinning winningly, and beckoning to them.
Emily was too sleepy to move, and so were Laura and Rachel: so leaving
them to lie, the others--Margaret, Edward, and John--scrambled on deck.
It was mysteriously quiet. Not a sign of the crew, but for José. In the
bright starlight the town looked unnormally beautiful: there was music
coming from one of the big houses up by the church. José conducted them
ashore and up to this house: tiptoed up to the jalousies and signed to
them to follow him.
As the light struck his face it became transfigured, so affected was he
by the opulence within.
The children craned up to the level of the windows and peered in too,
oblivious of the mosquitoes making havoc of their necks.
It was a very grand sight. This was the house of the Chief Magistrate:
and he was giving a dinner in honour of Captain Jonsen and his mate.
There he sat at the head of the table, in uniform; very stiff, yet his
little beard even stiffer than himself. His was the kind of dignity
that grows from reserve and stillness, from freezing every minute like
game which scents the hunter: while in total contrast to him there sat
his wife (the important señora who had made so much of Edward), far
more impressive than her husband, but doing it not by dignity but by
that calculated abandon and vulgarity which transcends dignity. Indeed,
her flinging about got the greater part of its effect from the very
formality of her setting.
When the children arrived at the window she must even have been
discussing the size of her own belly: for she suddenly seized the shy
hand of the mate, and made him, willy-nilly, feel it, as if to clench
an argument.
As for her husband, he did not seem to see her: nor did the servants:
she was such a very great lady.
Public-domain text, read in full here on John Shaqi.
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