A Historical Account of Useful Inventions and Scientific Discoveries: Being a manual of instruction and entertainment.Grant, George
History
A Historical Account of Useful Inventions and Scientific Discoveries: Being a manual of instruction and entertainment.
Grant, George
Inventions -- History
Eudora, the daughter of a potter of Corinth, is presumed to have
introduced the art into Greece. The art of painting in Greece is also
claimed by Sicyon as the original. Mr. Fuseli has beautifully observed
in his first lecture illustrative of the former of these two claimants,
that “If ever legend deserved our belief, the amorous tale of the
Corinthian maid, who traced the shadow of her departing lover by the
secret lamp, appeals to our sympathy to grant it.” This invention is
becoming doubly interesting in that country, first, because of its
elegance and utility; and secondly, because it is ascribed to one of
the noblest and most powerful passions, which distinguish the human
species, the wonderful effects of which have given to humanity the most
exalted and illustrious of actions, which ennoble the character of
man--to delicate, refined, and almighty love. Numerous artists in the
Grecian school brought the art of painting to great perfection.
The restorer of this delightful art in Europe was Cimabue, a native of
Italy, who first studied under some Grecian artists, and furnished some
admirable productions in fresco, in several Italian churches about the
renovation of the arts in modern Italy; since which time, this purely
intellectual art has been successfully cultivated in almost all the
countries of Europe, certain masters in all schools of which have been
eminent for some peculiar eminence.
An analogy has been drawn by comparison between the fascinating effect
of music on the ear, and colour on the eye, wherein it is observed the
comparison very nearly approximates; whence the term _harmony_, applied
to the former, may correctly, and with singular propriety be used, when
speaking of the latter. And also, it is said, for the same reason, and
proceeding upon the like analogy, the term _tone_ is applicable to
both; they are accordingly used indiscriminately. Without questioning
their propriety, we give in to our sensations, and as far as our
judgment goes, believe they are not improperly introduced into the
pictorial art.
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