To any modern reader the use of this light-footed meter for so grave a subject seems utterly ill-considered, and the whole idea of the day of doom as he presented it seems so unnatural as to be amusing. But Wigglesworth was trying to write a rimed summary of what everybody thought, in a meter with which everybody was familiar, and he was unqualifiedly successful. A final verdict on Michael Wigglesworth is often superciliously pronounced on the basis of this one poem, or, if any further attention is conceded him, the worst of his remaining output is produced for evidence that he and all Puritan preachers were clumsy and prosaic verse-writers. Yet in the never-quoted lines immediately following "The Day of Doom"--a poem without a title, on the vanity of human wishes--Michael Wigglesworth gave proofs of human kindliness and of poetic power. In these earnest lines Wigglesworth showed a mastery of fluent verse, a control of poetic imagery, and a gentle yearning for the souls' welfare of his parishioners which is the utterance of the pastor rather than of the theologian. For a moment God ceases to be angry, Christ stands pleading without the gate, and the good pastor utters a poem upon the neglected theme "The Kingdom of Heaven is within you": Fear your great Maker with a child-like awe, Believe his Grace, love and obey his Law. This is the total work of man, and this Will crown you here with Peace and there with Bliss. "The Day of Doom," however, was far more popular than the better poetry that Wigglesworth wrote at other times. It was the most popular book of the century in America. People memorized its easy, jingling meter just as they might have memorized ballads or, at a later day, Mother Goose rimes; and the grim description became "the solace," as Lowell says, "of every fireside, the flicker of the pine-knots by which it was conned perhaps adding a livelier relish to its premonitions of eternal combustion." The popularity of "The Day of Doom" shows that in the very years when the Royalists were returning to power in England the Puritans were greatly in the majority in New England. The reaction marked by Morton, Ward, and Roger Williams was only beginning. Moreover, if it had been the only "poetry" of the period, we should have to admit that the Puritans were almost hopelessly unpoetical.