The Works of Mrs. Anne Bradstreet, together with her prose remains, and with an introduction by Charles Eliot Norton. =Biography and Criticism= CAMPBELL, HELEN. Anne Bradstreet and her Time. 1891. TYLER, M. C. American Literature. Colonial Period, Vol. I, chap. x. =Collections= BOYNTON, PERCY H. American Poetry, pp. 1-8, 594-598. CAIRNS, W. B. Early American Writers, pp. 146-164. DUYCKINCK, E. A. and G. L. Cyclopedia of American Literature, Vol. I, pp. 47-52. STEDMAN and HUTCHINSON. Library of American Literature, Vol. I, pp. 311-315. TOPICS AND PROBLEMS Confirm the comparison of meters in the "Bay Psalm Book" and "The Day of Doom." * * * * * Read the opening and closing passages in "The Day of Doom" (Boynton, "American Poetry," pp. 18-21) for the genuinely poetic material. Compare with Milton's use of the same material in "Paradise Lost," Bk. I. * * * * * Read Anne Bradstreet's verses to Queen Elizabeth, the Prologue to the long poems, the rimed epistles to her husband, and the tributary poems of Nathaniel Ward and others (Boynton, "American Poetry," pp. 1-13 passim) for the difference--even with her liberalism--between her point of view and that of the modern woman. * * * * * Read "Contemplations" and a passage of equal length from "The Faerie Queene" for likenesses and differences in versification. * * * * * Compare the ideas of God and of nature in "Contemplations" (of the later seventeenth century), "Thanatopsis" (of the early nineteenth), and "The Marshes of Glynn" (of the later nineteenth) and note how far they are personal to Anne Bradstreet, Bryant, and Lanier and how far they represent the spirit of their respective periods. CHAPTER III THE TRANSITION TO THE EIGHTEENTH CENTURY