A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
The autobiographical writings of Howells leave us with the impression
of a gentle, contemplative boy given rather to reading and dreaming in
a solitary corner than to Mark-Twain-like activities with Tom Sawyers
and Huck Finns. Though by birth and rearing he was a complete Westerner
of the river section, mingling freely with all its elements, he seems
never to have taken root in the region or to have been much influenced
by it. He has spoken somewhere of De Quincey as a man "eliminated from
his time and place by his single love for books." Howells, like James,
was a detached soul. From his earliest youth he was not a resident
of Ohio, but a resident of the vaster world of literature. He read
enormously and with passion, and from his boyhood he seems--also like
Henry James--to have had no dream of other than a literary career.
He saw not the headlong West that surged about him but the realms of
poetry and romance. "To us who have our lives so largely in books," he
wrote in later years, "the material world is always the fable, and the
ideal the fact. I walked with my feet on the ground, but my head was
in the clouds, as light as any of them.... I was living in a time of
high political tumult, and I certainly cared very much for the question
of slavery which was then filling the minds of men; I felt deeply the
shame and wrong of our fugitive slave law; I was stirred by the news
from Kansas, where the great struggle between the two great principles
in our nationality was beginning in bloodshed; but I cannot pretend
that any of these things were more than ripples on the surface of my
intense and profound interest in literature."[99]
It is suggestive that his earliest "passions" among the authors
were Goldsmith, Irving, and Cervantes, and later Pope, Macaulay,
and Curtis--the most of them literary artists and finishers, with
grace of style and softness and dreaminess of atmosphere, rather than
stormy creators who blazed new trails and crashed into the unknown
with lawless power. He taught himself the use of literary English by
painstaking imitation of the classics which took his young fancy. His
passion for Pope was long continued. When other boys in the schools
were shirking their English grammar, Howells week after week and month
after month was toiling at imitations of the great master of incisive
English, "rubbing and polishing at my wretched verses till they did
sometimes take on an effect, which, if it was not like Pope's, was
like none of mine." From him "I learned how to choose between words
after a study of their fitness." Juveniles and boys' books of adventure
he seems never to have known. From the first he was enamoured of the
classics, and of the classics best fitted to educate him for the career
that was to be his: "my reading from the first was such as to enamour
me of clearness, of definiteness."
Public-domain text, read in full here on John Shaqi.
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