A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
Never was youth more industrious in his efforts at self-mastery. He
wasted not a moment. He discovered Macaulay and read him as most boys
read pirate stories. "Of course I reformed my prose style, which had
been carefully modeled after that of Goldsmith and Irving, and began
to write in the manner of Macaulay, in short, quick sentences and with
the prevalent use of brief Anglo-Saxon words." His health began to
suffer from his application, but he worked steadily on. He produced
quantities of poems and even a novel or two which he either destroyed
or consigned to the oblivion of the newspaper upon which he worked.
Later he enlarged the field of his literary apprenticeship by securing
a position on a Columbus journal, or as he has himself expressed it,
he was "for three years a writer of news paragraphs, book notices, and
political leaders on a daily paper in an inland city."[100] Then he
began to enlarge his literary field by contributing "poems and sketches
and criticisms for the _Saturday Press_ of New York."[100]
In December, 1859, he issued his first book, _Poems of Two Friends_,
a small volume of rather ordinary verses written in conjunction with
J. J. Piatt, and a few months later he published a campaign life of
Abraham Lincoln, a book more notable for its effect upon its author's
fortunes than for any quality it may have had, for it was as a result
of it that he was sent in 1861 to Italy for a glorious four years
of graduate study, if we may so term it, in Italian literature and
language and life.
One cannot dwell too carefully upon these years of Howells's literary
apprenticeship. As one reads his published work one finds from the
first no immaturities. He burst upon the reading public as a finished
writer. When his work first began to appear in the East, the _North
American Review_ of Boston voiced its astonishment:
We made occasion to find out something about him, and what
we learned served to increase our interest. This delicacy,
it appeared, was a product of the rough and ready West, this
finish the natural gift of a young man with no advantage of
college training, who, passing from the compositor's desk
to the editorship of a local newspaper, had been his own
faculty of the humanities. But there are some men who are born
cultivated.[101]
Public-domain text, read in full here on John Shaqi.
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