A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
But Howells was not born cultivated; he achieved cultivation by a
process of self-discipline that has few parallels in the history of
literature. He is a classicist as James is a classicist. If his style
is clear and concise, if he knows as few modern authors the resources
of the English tongue, it is because he gave without reserve to the
mastering of it all the enthusiasm and time and strength of his
youth and young manhood. He was not a genius: he was a man of talent
of the Pope-Macaulay order that makes of literature not a thing of
inspirations and flashes and visions, but a profession to be learned as
one learns the pipe organ after years of practice, as an art demanding
an exquisite skill to be gained only by unremitting toil.
VII
The Howells of the earlier period was a poet. Speaking of the winter
of 1859-60, which saw the publication of his first volume, he writes:
"It seemed to me as if the making and the reading of poetry were to go
on forever, and that was to be all there was to it." "Inwardly I was a
poet, with no wish to be anything else, unless in a moment of careless
affluence I might so far forget myself as to be a novelist."
His reading more and more was in the poets. Heine he read with passion,
and Longfellow and Tennyson, and then Heine, evermore Heine. "Nearly
ten years afterwards Mr. Lowell wrote me about something of mine that
he had been reading: 'You must sweat the Heine out of your bones as men
do mercury.'" The seven poems which Lowell accepted and printed in the
_Atlantic_ in 1860 and 1861 are redolent of Heine, with here and there
traces of Longfellow. When he came East just before his appointment
to Venice it was as a poet, and a poet making a pilgrimage to the
mother-land of poesy.
New England was to him indeed a land of dreams and romance. "As the
passionate pilgrim from the West," to use his own words, "approached
his Holy Land at Boston," he felt like putting the shoes from off his
feet. New England was the home of Emerson and Longfellow and Holmes, of
Whittier and Hawthorne and Lowell, and all the _Atlantic_ immortals,
and he appreciated it as Irving and Willis had appreciated old England
earlier in the century, or as Longfellow and Taylor had appreciated the
continent of Europe.
Public-domain text, read in full here on John Shaqi.
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