A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
With the publication of _In the Tennessee Mountains_ came one of the
most dramatic happenings that ever gave wings to a new book. Charles
Egbert Craddock visited the _Atlantic_ office and, to the amazement
of Aldrich and Howells and Dr. Holmes, he was a woman. The sensation,
coming as it did from the center of the old New England tradition, gave
the book at once an international fame and made Charles Egbert Craddock
a name as widely known as Dr. Holmes. She followed her early success
with a long series of Tennessee mountain novels. Six of them--_The
Prophet of the Great Smoky Mountains_, _In the Clouds_, _The Despot
of Broomsedge Cove_, _His Vanished Star_, _The Mystery of Witchface
Mountain_, and _The Juggler_--first appeared serially in the Atlantic,
and, for a time at least, it seemed as if her work had taken its place
among the American classics.
VI
Criticism of the Craddock novels must begin always with the statement
that their author was not a native of the region with which she
dealt. She had been born into an old Southern family with wealth
and traditions, and she had been reared in a city amid culture and
a Southern social régime. The Tennessee mountains she knew only as
a summer visitor may know them. For fifteen summers she went to the
little mountain town of Beersheba, prototype undoubtedly of the "New
Helvetia Springs" of her novels, and from there made excursions into
the wilder regions. She saw the mountains with the eyes of the city
vacationist: she was impressed with their wildness, their summer moods
with light and shadow, their loneliness and their remote spurs and
coves and ragged gaps. She saw them with the picture sense of the
artist and she described them with a wealth of coloring that reminds
one of Ruskin. In every chapter, often many times repeated, gorgeous
paintings like these:
A subtle amethystine mist had gradually overlaid the slopes
of the T'other Mounting, mellowing the brilliant tints of the
variegated foliage to a delicious hazy sheen of mosaics; but
about the base the air seemed dun-colored, though transparent;
seen through it, even the red of the crowded trees was but
a somber sort of magnificence, and the great masses of gray
rocks, jutting out among them here and there, wore a darkly
frowning aspect. Along the summit there was a blaze of scarlet
and gold in the full glory of the sunshine; the topmost cliffs
caught its rays, and gave them back in unexpected gleams of
green or grayish-yellow, as of mosses, or vines, or huckleberry
bushes, nourished in the heart of the deep fissures.
Public-domain text, read in full here on John Shaqi.
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