A History of American Literature Since 1870Pattee, Fred Lewis
History
A History of American Literature Since 1870
Pattee, Fred Lewis
American literature -- 19th century -- History and criticism; American literature -- 20th century -- History and criticism
This is not "Artemus Ward" talking; it is Charles Farrar Browne,
and it is Browne who rebukes the Shakers, the Spiritualists, the
Committee from the Woman's Rights Association, and the office-seekers
about Lincoln, who gives advice to the Prince of Wales and Prince
Napoleon, who stands by the flag when the mob destroys his show down
among the "Seseshers," and who later addresses the draft rioters at
Baldwinsville. Browne was indeed a moral showman. Every page of his
work is free from profanity and vulgarity. He is never cheap, never
tawdry, never unkind to anything save immorality and snobbishness. His
New England ancestry and breeding may be felt in all he wrote. At heart
he was a reformer. He once wrote: "Humorous writers have always done
the most toward helping virtue on its pilgrimage, and the truth has
found more aid from them than from all the grave polemists and solid
writers that have ever spoken or written."
Beneath his kindly, whimsical exterior there was a spirit that could be
blown into an indignation as fierce even as Mark Twain's. While he was
local editor of the _Plain-Dealer_ he burst out one day in this fiery
editorial:
A writer in the Philadelphia _Ledger_ has discovered that Edgar
A. Poe was not a man of genius. We take it for granted that the
writer has never read Poe. His lot in life was hard enough,
God knows, and it is a pity the oyster-house critics, snobs,
flunkeys, and literary nincompoops can't stop snarling over
his grave. The biography of Poe by Griswold--which production
for fiendish malignity is probably unequaled in the history of
letters--should, it would seem, have sufficed. No stone marks
the spot where poor Poe sleeps, and no friendly hand strews
flowers upon his grave in summer-time, but countless thousands,
all over the world, will read and admire his wildly beautiful
pages until the end of time.[21]
This knightly spirit led him to warfare upon everything that was merely
sentimental or insincere. He burlesqued the gushing love songs of the
period, advertising in his program to render at appropriate intervals
"Dearest, Whenest Thou Slumberest Dostest Thou Dreamest of Me?" and
"Dear Mother, I've Come Home to Die by Request." He burlesqued the
sensational novels of the day in _Roberto, the Rover_, and _Moses, the
Sassy_. Only once did he ever read the _Ledger_, he avers, and that was
after his first experience with New England rum:
On takin the secund glass I was seezed with a desire to break
winders, & arter imbibin the third glass I knockt a small boy
down, pickt his pocket of a New York _Ledger_, and wildly
commenced readin Sylvanus Kobb's last Tail.
Public-domain text, read in full here on John Shaqi.
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