A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
This example is also interesting when looked at from another point of
view. If we turn back to Woodcuts Nos. 187 and 188, and compare them
with this section, we shall be able to gauge exactly the changes which
were introduced and the progress that was made, during the 1000 years
that elapsed between the erection of these two buildings. In the plan of
the temple of Diana at Nîmes, we have the same three-aisled arrangement
as at Carcassonne. Their dimensions are not very dissimilar; the nave at
Nîmes is 27 ft. wide, the aisles 7½ ft. in the clear. At Carcassonne
this becomes 25 ft. and 10 ft. respectively. The aisles are in the early
example separated from the nave by screen walls, adorned with pillars
which are mere ornaments. In the later examples the pillars have become
the main support of the roof, the wall being omitted between them.
The roof of the nave in both instances is adorned with flat ribs, one
over each pillar; but at Nîmes the rib is rather wider than the space
between. At Carcassonne the rib occupies only one-fourth of the width of
the bay. One of their most striking differences is, that Nîmes displays
all that megalithic grandeur for which the works of the Romans were so
remarkable; while at Carcassonne the masonry is little better than
rubble. It need hardly be added that the temple displays an elegance of
detail which charms the most fastidious taste, while the decoration of
the church is rude and fantastic, though no doubt picturesque and
appropriate. The last remark must not, however, be understood as a
reproach to Gothic art, for the choir of this very church, and the two
outer arches shown in the Woodcut No. 546, were rebuilt in the year
1331, with an elegance of detail which, in a constructive sense, would
shame the best classical examples. The nave is a tentative example of a
rude age, when men were inventing, or trying to invent, a new style, and
before they quite knew how to set about it. The builders of Carcassonne
had this temple at Nîmes standing, probably much more complete than it
is now, within 120 miles of them, and they were attempting to copy it as
best they could. It is probable, however, they had also other models
besides this one, and certain that this was not the first attempt to
reproduce them. The differences are considerable; but the similarities
are so great that we ought rather to be astonished that ten centuries of
experience and effort had not shown more progress than we find.
PROVENCE.
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