A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in All Countries, Volume 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
There are few chapters in the history of mediæval architecture which it
would be more desirable to have fully and carefully written than that of
the style of Provence from the retirement of the Romans to the accession
of the Franks. This country, from various causes, retained more of its
former civilisation through the dark ages than any other, at least on
this side of the Alps. Such a history, however, is to be desired more in
an archæological than in an architectural point of view; for the
Provençal churches, compared with the true Gothic, though numerous and
elegant, are small, and most of them have undergone such alterations as
to prevent us from judging correctly of their original effect.
Among the Provençal churches, one of the most remarkable is Notre Dame
de Doms, the cathedral at Avignon (Woodcut No. 547). Like all the
others, its dimensions are small, as compared with those in the northern
province, as it is only 200 ft. in length, and the nave about 20 ft. in
width. The side aisles have been so altered and rebuilt, that it is
difficult to say what their plan and dimensions originally may have
been.
[Illustration: 547. Porch of Notre Dame de Doms, Avignon. (From
Laborde’s ‘Monuments de la France.’)]
The most remarkable feature and the least altered is the porch, which is
so purely Romanesque that it might almost be said to be copied from such
examples as the arches on the bridge of Chamas (Woodcut No. 221). It
presents, however, all that attenuation of the horizontal features which
is so characteristic of the Lower Empire, and cannot rank higher than
the Carlovingian era; though it is not quite so easy to determine how
much more modern it may be. The same ornaments are found in the
interior, and being integral parts of the ornamentation of the pointed
roof, have led to various theories to account for this copying of
classical details after the period at which it was assumed that the
pointed arch had been introduced. It has been sufficiently explained
above, how early this was the case as a vaulting expedient in this
quarter; and that difficulty being removed, we may safely ascribe the
whole of the essential parts of this church to a period not long, if at
all, subsequent to the age of Charlemagne.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account