In front of the temple are two large and splendid pylons, with the gateway in the centre, making up a façade 225 ft. in extent. Although this example has lost its crowning cornice, its sculptures and ornaments are still very perfect, and it may altogether be considered as a fair specimen of its class, though inferior in dimensions to many of those of the Pharaonic age. Within these is a court, 140 ft. by 161, surrounded by a colonnade on three sides, and on the fourth side the porch or portico which, in Ptolemaic temples, takes the place of the great hypostyle halls of the Pharaohs. It is lighted from the front over low screens placed between each of the pillars, a peculiarity scarcely ever found in temples of earlier date, though apparently common in domestic edifices, or those formed of wood, certainly as early as the middle of the 18th dynasty, as may be seen from the annexed woodcut (No. 39), taken from a tomb of one of the sun-worshipping kings, who reigned between Amenhotep III. and Horus. From this we pass into an inner and smaller porch, and again through two passages to a dark and mysterious sanctuary, surrounded by darker passages and chambers, well calculated to mystify and strike with awe any worshipper or neophyte who might be admitted to their gloomy precincts. [Illustration: 38. View of Temple at Edfû as it was, before it was cleared out and the dwellings on the roof removed.] The celebrated temple at Denderah is similar to this, and slightly larger, but it has no fore-court, no propylons, and no enclosing outer walls. Its façade is given in the woodcut (No. 40). Its Isis-headed columns are not equal to those of Edfû in taste or grace; but it has the advantage of situation, and this temple is not encumbered either by sand or huts, which still disfigure so many Egyptian temples. Its effect, consequently, on travellers is always more striking. The Roman temple at Kalábsheh (Woodcuts Nos. 42 and 43), above the Cataract, is a fair specimen of these temples on a smaller scale. The section (Woodcut No. 43) shows one of the modes by which a scanty light was introduced into the inner cells, and their gradation in height. The position, too, of its propylons is a striking instance of the irregularity which distinguishes all the later Egyptian styles from that of the rigid, proportion-loving pyramid builders of Memphis. [Illustration: 39. Bas-relief at Tel el Amarna.] [Illustration: 40. Façade of Temple at Denderah. Scale 50 ft. to 1 in.]