A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
This irregularity of plan was nowhere carried to such an extent as in
the Ptolemaic temple on the island of Philæ (Woodcut No. 45). Here no
two buildings, scarcely any two walls, are on the same axis or parallel
to one another. No Gothic architect in his wildest moments ever played
so freely with his lines or dimensions, and none, it must be added, ever
produced anything so beautifully picturesque as this. It contains all
the play of light and shade, all the variety, of Gothic art, with the
massiveness and grandeur of the Egyptian style; and as it is still
tolerably entire, and retains much of its colour, there is no building
out of Thebes that gives so favourable an impression of Egyptian art as
this. It is true it is far less sublime than many, but hardly one can be
quoted as more beautiful.
Notwithstanding its irregularity, this temple has the advantage of being
nearly all of the same age, and erected according to one plan, while the
greater buildings at Thebes are often aggregations of parts of different
ages; and though each is beautiful in itself, the result is often not
quite so harmonious as might be desired. In this respect the Ptolemaic
temples certainly have the advantage, inasmuch as they are all of one
age, and all completed according to the plan on which they were
designed; a circumstance which, to some extent at least, compensates for
their marked inferiority in size and style, and the littleness of all
the ornaments and details as compared with those of the Pharaonic
period. It must at the same time be admitted that this inferiority is
more apparent in the sculpture of the Ptolemaic age than in its
architecture. The general design of the buildings is frequently grand
and imposing, but the details are always inferior; and the sculpture and
painting, which in the great age add so much to the beauty of the whole,
are in the Ptolemaic age always frittered away, ill-arranged, unmeaning,
and injurious to the general effect instead of heightening and improving
it.
[Illustration: 41. Pillar, from the Porticocat Denderah.]
[Illustration: 42. Plan of Temple at Kalábsheh. Scale 100 ft. 1 in.]
On the east side of the island is the very beautiful structure known as
“Pharaoh’s bed” (n). It is an oblong rectangular building of late date,
surrounded by an intercolumnar screen with 18 columns. It was roofed
with stone slabs supported on wooden beams, the sockets to receive which
still exist. There is a doorway on the west wall, and another on the
east wall opening on to a stone terrace or quay. Similar structures are
believed to have existed at Thebes, close to the river, and connected by
causeways with the temples; they may therefore have served as halls from
which the processions started after disembarking from the boats on the
river.
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