A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
The one point where this comparison seems to halt is, that ship-building
never became a purely fine art, which architecture really is. The
difference is only one of aim, which it would be as easy to apply to the
one art as it has been to the other. Had architecture never progressed
beyond its one strictly legitimate object of house-building, it would
never have been more near a fine art than merchant ship-building, and
palaces would only have been magnified dwelling-places. Castles and
men-of-war advanced both one stage further towards a fine art. Size and
power were impressed on both, and in this respect they stand precisely
equal to one another. Here ship-building halted, and has not progressed
beyond, while architecture has been invested with a higher aim. In all
ages men have sought to erect houses more dignified and stately than
those designed for their personal use. They attempted the erection of
dwelling-places for their Gods, or temples worthy of the worship of
Supreme Beings; and it was only when this strictly useful art threw
aside all shadow of utilitarianism, and launched boldly forth in search
of the beautiful and the sublime, that it became a truly fine art, and
took the elevated position which it now holds above all other useful
arts. It would have been easy to supply the same motive to
ship-building. If we could imagine any nation ever to construct ships of
God, or to worship on the bosom of the ocean, ships might easily be made
such objects of beauty that the cathedral could hardly compete with
them.
It is not, however, only in architecture or in ship-building that this
progress is essential, for the progress of every art and every science
that is worthy of the name is owing to the same simple process of the
aggregation of experiences; whether we look to metallurgy or mechanics,
cotton-spinning or coining, their perfection is due to the same cause.
So also the sciences—astronomy, chemistry, geology—are all cultivated by
the same means. When the art or science is new, great men stand forth
and make great strides; but when once it reaches maturity, and becomes
the property of the nation, the individual is lost in the mass, and a
thousand inferior brains follow out steadily and surely the path which
the one great intellect has pointed out, but which no single mind,
however great, could carry to its legitimate conclusion.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account