A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
No Turanian race ever distinguished itself in literature, properly so
called. They all possessed annals, because they loved to record the
names, the dates, and the descent of their ancestors; but these never
rose to the dignity of history even in its simplest form. Prose they
could hardly write, because none of the greater groups ever appreciated
the value of an alphabet. Hieroglyphics, signs, symbols, anything
sufficed for their simple intellectual wants, and they preferred
trusting to memory to remember what a sign stood for, rather than
exercise their intellect to compound or analyse a complex alphabetical
arrangement. Their system of poetry helped them, to some extent, over
the difficulty; and, with a knowledge of the metre, a few suggestive
signs enabled the reader to remember at least a lyric composition. But
without a complex grammar to express and an alphabet to record their
conceptions it is hopeless to expect that either Epic or Dramatic Poetry
could flourish, still less that a prose narrative of any extent could be
remembered; and philosophy, beyond the use of proverbs, was out of the
question.
In their most advanced stages they have, like the Chinese, invented
syllabaria of hideous complexity, and have even borrowed alphabets from
their more advanced neighbours. By some it is supposed that they have
even invented them; but though they have thus got over the mechanical
difficulties of the case, their intellectual condition remains the same,
and they have never advanced beyond the merest rudiments of a
literature, and have never mastered even the elements of any scientific
philosophy.
ARTS.
If so singularly deficient in the phonetic modes of literary expression,
the Turanian races made up for it to a great extent in the excellence
they attained in most of the branches of æsthetic art. As architects
they were unsurpassed, and in Egypt alone have left monuments which are
still the world’s wonder. The Tamul race in Southern, the Moguls in
Northern India, in Burmah, in China, and in Mexico, wherever these races
are found, they have raised monuments of dimensions unsurpassed; and,
considering the low state of civilisation in which they often existed,
displaying a degree of taste and skill as remarkable as it is
unexpected.
In consequence of the circumstance above mentioned of their gods having
been kings, and after death still only considered as watching over and
influencing the destiny of mankind, their temples were only exaggerated
palaces, containing halls, and chambers, and thrones, and all the
appurtenances required by the living, but on a scale befitting the
celestial character now acquired. So much is this the case in Egypt that
we hardly know by which name to designate them, and the same remark
applies to all.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account