A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present DayFergusson, James
History
A History of Architecture in all Countries, Volumes 1 and 2, 3rd ed.: From the Earliest Times to the Present Day
Fergusson, James
Architecture -- History
Even more sacred, however, than their temples were their tombs. Wherever
a Turanian race exists or existed, there their tombs remain; and from
the Pyramids of Egypt to the mausoleum of Hyder Ali, the last Tartar
king in India, they form the most remarkable series of monuments the
world possesses, and all were built by people of Turanian race. No
Semite and no Aryan ever built a tomb that could last a century or was
worthy to remain so long.
The Buddhist reform altered the funereal tumulus into a relic shrine,
modifying this, as it did most of the Turanian forms of utterance, from
a literal to a somewhat more spiritual form of expression, but leaving
the meaning the same,—the Tope being still essentially a Tomb.
Combined with that wonderful appreciation of form which characterises
all the architectural works of the Turanians, they possessed an
extraordinary passion for coloured decoration and an instinctive
knowledge of the harmony of colours. They used throughout the primitive
colours in all their elemental crudeness; and though always brilliant,
are never vulgar, and are guiltless of any mistake in harmony. From the
first dawn of painting in Egypt to the last signboard in Constantinople
or Canton, it is always the same,—the same brilliancy and harmony
produced by the simplest means.
In sculpture they were not so fortunate. Having no explanatory
literature to which to refer, it was necessary that their statues should
tell their whole tale themselves; and sculpture does not lend itself to
this so readily as painting. With them it is not sufficient that a god
should be colossal, he must be symbolical; he must have more arms and
legs or more heads than common men; he must have wings and attributes of
power, or must combine the strength of a lion or a bull with the
intellect of humanity. The statue must, in short, tell the whole story
itself; and where this is attempted the result can only be pleasing to
the narrow faith of the unreflecting devotee. So far from being able to
express more than humanity, sculpture must attempt even less if it would
be successful; but this of course rendered it useless for the purposes
to which the Turanians wished to apply it.
Public-domain text, read in full here on John Shaqi.
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