A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
Under the Ptolemies Egypt was as prosperous as she had been under the
Pharaohs, but the arts of this later time never reached such purity
and greatness as was shown in the best days of Thebes; the buildings
were rich and splendid instead of noble and grand, or, as we might say,
"more for show" than was the older style.
It is singular that, though the Egypt of the Ptolemies was under Greek
and Roman influence, it still remained essentially Egyptian. It seems
as if the country had a sort of converting effect upon the strangers
who planned and built the temples of Denderah, and Edfou, and beautiful
Philæ, and made them try to work and build as if they were the sons of
the pure old Egyptians instead of foreign conquerors. So true is this
that before A.D. 1799, when scholars began to read hieroglyphics, the
learned men of Europe who studied art believed that these later temples
were older than those of Thebes.
Outside of Thebes there is no building now to be seen in Egypt which
gives so charming an impression of what Egypt might be as does the
lovely temple on the island of Philæ (Fig. 14). Others are more sublime
and imposing, but none are so varied and beautiful.
[Illustration: FIG. 14.--TEMPLE ON THE ISLAND OF PHILÆ.]
There is no more attractive spot in Egypt than this island, and when we
know that the priests who served in the Temple of Isis here were never
allowed to leave the island, we do not feel as if that was a misfortune
to them. It was a pity, however, that none but priests were allowed to
go there, and in passing I wish to note the fact that this was the
most ancient monastery of which we know; for that it was in simple
fact, and the monks lived lives of strict devotion and suffered severe
penance.
The buildings at Philæ, as well as most of those of the Ptolemaic age,
had the same irregularity of form of which we have spoken before; their
design, as a whole, was fine, but the details were inferior, and it
often happens that the sculpture and painting which in the earlier
times improved and beautified everything, lost their effect and really
injured the appearance of the whole structure.
Public-domain text, read in full here on John Shaqi.
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