A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
Thus the tower rose up, all glowing in colors and tints as cunningly
arranged as if produced by Nature herself. The silvery, shining band
was probably the highest, and had the effect of mingling with the
bright sky above. We can scarcely understand how glorious the effect
must have been, and when we try to imagine it, and then think of the
present wretched condition of these ruins, it gives great force to
the prophecies concerning Babylon which foretold that her broad walls
should be utterly broken down, her gates burned with fire, and the
golden city swept with the besom of destruction.
We know so little of the arrangement of the palaces of Babylon that we
cannot speak of them in detail. They differed from those of Assyria in
two important points: they are of burnt bricks instead of those dried
in the sun which the Assyrians used, and at Babylon in the decoration
of the walls colored pictures upon the brick-work took the place of
the alabaster bas-reliefs which were found in the palaces of Nineveh.
These paintings represented hunting scenes, battles, and other
important events, and were alternated with portions of the wall upon
which were inscriptions painted in white on a blue ground, or spaces
with a regular pattern of rosettes or some fixed design in geometrical
figures. A sufficient number of these decorations have been found
in the ruins of Babylon to prove beyond a doubt that this was the
customary finish of the walls. We also know that the houses of Babylon
were three or four stories in height, but were rudely constructed and
indicate an inferior style of domestic architecture.
PERSIA.
The Persians were the pupils of the Assyrians and Babylonians in Art,
Learning, and Science, and they learned their lessons so well that
they built magnificent palaces and tombs. Temples seem to have been
unimportant to them, and we know nothing of any Persian temple remains
that would attract the attention of travellers or scholars.
The four most important Persian palaces of which we have any good
degree of knowledge are that of Ecbatana, the ruins of which are very
imperfect; a second at Susa, of which the arrangement is known; a
third at Persepolis, which is not well enough preserved for any exact
description to be given; and a fourth, the so-called Great Palace,
near Persepolis, in which the latest Persian sovereigns lived. This
magnificent palace was burned by Alexander the Great before he or his
soldiers had seen its splendor. The story is that he made a feast at
which Thais, a beautiful and wicked woman, appeared, and by her arts
gained such power over Alexander that he consented to her proposal to
fire the palace, and the king, wearing a crown of flowers upon his
head, seized a torch and himself executed the dreadful deed, while all
the company followed him with acclamations, singing, and wild shouts.
At last they surrounded and danced about the dreadful conflagration.
Public-domain text, read in full here on John Shaqi.
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