A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
There is little doubt that the staircases of Persepolis were the
finest that were ever built in any part of the world, and on some
of them ten horsemen could ride abreast. The broadest, or platform
staircase, is entirely without ornament; another which leads from the
platform up to the central or upper terrace is so elaborately decorated
that it appears to be covered with sculptures. There are colossal
representations of lions, bulls, Persian guardsmen, rows of trees, and
continuous processions of smaller figures. In some parts the sculptures
represent various nations bringing tributes to the Persian monarch; in
other parts all the different officers of the court and those of the
army are seen, and the latter appear to be guarding the stairs. (See
Fig. 25.)
[Illustration: FIG. 25.--PARAPET WALL OF STAIRCASE, PERSEPOLIS
(RESTORED).]
In a conspicuous position on this ornamental staircase there are
three slabs; on two there is no design of any sort; on the third an
inscription says that this was the work of "Xerxes, the Great King,
the King of Kings, the son of King Darius, the Achæmenian." This
inscription is in the Persian tongue, and it is probable that it was
the intention to repeat it on the slabs which are left plain in some
other languages, so that it could easily be read by those of different
nations; it was customary with the ancients to repeat inscriptions in
this way.
The other staircases of this great platform are all more or less
decorated with sculptures and resemble that described; they lead to
the different palaces, of which there are three. The palaces are those
of Darius, Xerxes, and Artaxerxes Ochus, and besides these there are
two great pillared halls; one of these is called the "Hall of One
Hundred Columns," and the other _Chehl Minar_, or the "Great Hall of
Audience."
This view of the palace of Darius gives an idea of the appearance
of all these buildings. A description of them would be only a wordy
repetition of the characteristics of one apartment and hall after
another, and I shall leave them to speak of the magnificent halls which
are the glory of the ruins of Persepolis, and the wonders of the world
to those who are acquainted with the architectural monuments of the
Turkish, Greek, Roman, Moorish, and Christian nations. (See Fig. 26.)
[Illustration: FIG. 26.--RUINS OF THE PALACE OF DARIUS, PERSEPOLIS.]
Public-domain text, read in full here on John Shaqi.
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