A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
Seven other tombs have been explored; they are excavations in the sides
of the mountains high enough to be prominent objects to the sight,
and yet difficult of approach. The fronts of these tombs are much
ornamented, and the internal chambers are large; there are recesses for
the burial-cases, and these vary in number, some having only space for
three bodies. The tomb of Darius had three recesses, in each of which
there were three burial-cases; but this was an unusually large number.
The tombs near Persepolis are the finest which have yet been examined.
The most noticeable characteristic of Persian architecture is its
regularity. The plans used are simple, and only straight lines occur in
them; thus, all the angles are right angles. The columns are regularly
placed, and the two sides of an apartment or building correspond to
each other. The magnificent staircases, and the abundance of elegant
columns which have been called "groves of pillars" by some writers,
produced a grand and dignified effect. The huge size of the blocks of
stone used by Persian builders gives an impression of great power in
those who planned their use, and demands for them the respect of all
thoughtful students of these edifices.
The faults of this architecture lay in the narrow doorways, the small
number of passages, and the clumsy thickness of the walls. But these
faults are insignificant in comparison with its beauties, and it is all
the more to be admired that it was invented by the Persians, not copied
from other nations, and there is little doubt that the Greeks profited
by its study to improve their own style, and through this study
substituted lightness and elegance for the clumsy and heavy effect of
the earliest Grecian architecture.
JUDEA.
There is so much of religious, historical, romantic, and poetical
association with the land of Judea, that it is a disappointment to
know that there are no remains of Judean architecture from which to
study the early art-history of that country; it is literally true that
nothing remains.
The ruins of Jerusalem, Baalbec, Palmyra, Petra, and places beyond
the Jordan are not Jewish, but Roman remains. The most interesting
remnant is a passage and gateway which belonged to the great temple at
Jerusalem. This passage is situated beneath the platform of the temple;
it is called "The Gateway Huldah." The width of it is forty-one feet,
and at one point there is a magnificent pillar, called a monolith,
because it is cut from a single stone. This pillar supports four
arches, which divide the passage into as many compartments, each one
of which has a flat dome. On these domes or roofs there were formerly
beautiful ornamental designs, one of which remains, and is like this
picture (Fig. 34). Its combination of Oriental and Roman design proves
that it cannot be very old, but must have been made after the influence
of the Romans had been felt in Judea.
[Illustration: FIG. 34.--ROOF OF ONE OF THE COMPARTMENTS OF THE GATE
HULDAH.]
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