A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
In the most ancient days of Greece the royal fortresses were the finest
structures, but in later days the temple became the supreme object
upon which thought and labor were lavished. The public buildings which
served the uses of the whole people were second in consideration, while
the private dwellings were of the least importance of all. The Greek
temple was built upon a raised structure like those of Assyria and
other Oriental nations, but the Greek temple was much smaller, and by
a dignified and simple elegance in detail, and a harmony in all its
parts, it expressed a more noble religious sentiment than could be
conveyed by all the vast piles of massive confusion that had abounded
in more Eastern lands.
[Illustration: FIG. 36.--TEMPLE OF DIANA, ELEUSIS.]
The earliest and simplest Greek temples were merely small, square
chambers made to contain an image of a god, and in later times, when
the temples came to be splendid and grand, the apartment containing
the sacred image was still called the _cella_ or cell, as it had been
named from the first. The simplest form of temple was like the little
cut (Fig. 36), and had two pillars in the centre of the front and two
square pilasters at the front end of the side walls. These pilasters
are called _antæ_, and the whole style of the building is called
_distyle in antis_; the word distyle denotes the two pillars, and the
expression means two pillars with antæ.
[Illustration: FIG. 37.--SMALL TEMPLE AT RHAMNUS.]
The above picture shows the next advance that was made in form (Fig.
37). A porch was added to the cell, the two parts being separated
by a wall with a doorway in it. After a time the number of pillars in
front was increased to six, and the two outer ones were the first of a
row which extended along the entire length of the sides of the temple,
thus forming a peristyle, or a row of columns entirely around the cell;
the cell itself remained, according to the original plan, in the centre
of the building. The ground plan of such a temple is given in the next
wood-cut (Fig. 38).
[Illustration: FIG. 38--PLAN OF TEMPLE OF APOLLO, BASSÆ.]
A large proportion of the Greek temples were built in this manner, and
were called _hexastyle_ from the six columns on the front.
The different orders of ancient Greek architecture are called the
Doric, the Ionic, and the Corinthian. The Greeks were very fond of
the Doric order, and used it so extensively as to make it almost
exclusively their own. The picture of the Parthenon will help you to
understand the explanations of the characteristics of the Doric order
(Fig. 39).
[Illustration: FIG. 39--THE PARTHENON. _Athens_. (RESTORED.)]
Public-domain text, read in full here on John Shaqi.
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