A History of Art for Beginners and Students: Painting, Sculpture, ArchitectureWaters, Clara Erskine Clement
History
A History of Art for Beginners and Students: Painting, Sculpture, Architecture
Waters, Clara Erskine Clement
Art -- History
Of the domestic architecture of the Greeks we know very little. Almost
all that is said of it is chiefly speculation, as even the descriptions
of Grecian palaces and houses which are given by the classic writers
are imperfect. The life of the Greek was passed largely in public, at
the temple, the theatre, or the baths, or at least in the open air, and
comparatively little attention was given to the building of the private
houses; but in the ruins of the temples and other monuments which
still exist we have sufficient proof that no art has surpassed that of
ancient Greece in purity, elegance, and grandeur of style.
ETRURIA.
Since the Etruscans were an earlier Italian nation than the Romans,
and Rome, in her primal days, was ruled by Etruscan kings, it is here
fitting to speak of this remarkable old people.
As Rome increased the Etruscans disappeared, and the younger power
came to have so mighty an influence in the world that it absorbed the
consideration of all nations as much as if no other had ever ruled in
Italy.
No Etruscan temple now remains, but we know that they were not splendid
like those of Greece. They were of two forms, one being circular and
dedicated to a single deity, while others were devoted to three gods
and had three cells; their walls were built at right angles, thus
making their shape regular.
The theatres and amphitheatres of the Etruscans were nearly circular
and much like those of the later Italians, but not one remains except
that at Sutri, which, being cut in the rock, does not afford a good
example of the usual arrangement of these edifices.
[Illustration: FIG. 55.--TOMBS AT CASTEL D'ASSO.]
In fact, the only important remains of Etruscan architecture are the
tombs, of which there are many. These are of two kinds; the first
are cut in the rocks and resemble the Egyptian tombs at Beni-Hassan,
reminding one of little houses (Fig. 55).
[Illustration: FIG. 56.--PRINCIPAL CHAMBER IN REGULINI-GALEASSI TOMB.]
The second and most numerous class are mounds of earth raised above
a wall at the base. These were called "Tumuli," and some of them had
fine, well-furnished apartments in their midst. The next cut shows such
a room as it appeared when first opened; in it were found bedsteads,
biers, shields, arrows, a variety of vessels, and several kinds of
useful utensils (Fig. 56).
[Illustration: FIG. 57.--ARCH AT VOLTERRA.]
These tombs are in truth more connected with other arts than with
architecture, and many beautiful articles have been found in them.
The most interesting feature of Etruscan architecture is the arch,
which was first brought into general use by the Romans, but is
found in Etruscan remains (Fig. 57), both in the semi-circular and
pointed forms. The principle of the arch had been known to several
Oriental nations, but it had been applied only to short spaces and
comparatively unimportant uses, such as windows and doorways (Fig. 58).
[Illustration: FIG. 58.--GATEWAY. _Arpino._]
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