A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[114] "_Conférence sur l'Histoire des Âmes dans l'Égypte
ancienne, d'après les Monuments du Musée du Louvre_," in the
_Bulletin hebdomadaire de l'Association scientifique de France_,
No. 594. M. Maspero has often and exhaustively treated this
subject, especially in his numerous lectures at the Collège de
France. Those lectures afforded the material for the remarkable
paper in the _Journal asiatique_ entitled, "_Étude sur quelques
Peintures et sur quelques Textes relatifs aux Funérailles_"
(numbers for May, June, 1878, for December-June, and November,
December, 1879, and May-June, 1880). These articles have been
republished in a single volume with important corrections and
additions (Maisonneuve, 1880).
[Illustration:
J. Sulpis del et sc.
SETI I
BAS-RELIEF AT ABYDOS
]
Were we to affirm that during thousands of years no change took place
in the ideas of the Egyptians upon a future life, we should not be
believed, and, as a fact, those ideas underwent a continual process of
refinement. Under the eighteenth and nineteenth dynasties, during
those centuries when the limits of Egyptian empire and Egyptian
thought were carried farthest afield, we find traces of doctrines
which offer notable variations, and even, when closely examined,
actual contradictions. These are successive answers made during a long
course of time to the eternal and never-changing enigma. As they
became more capable of philosophic speculation the Egyptians modified
their definition of the soul, and, by a necessary consequence, of the
manner in which its persistence after death must be understood, and as
always happens in such a case, these successive conceptions are
super-imposed one upon another; the last comer did not dethrone its
predecessor but became inextricably blended with it in the popular
imagination.
We refer all those who wish to follow minutely this curious
development of the Egyptian intellect to the subtle analysis of M.
Maspero. That historian has applied himself to the apprehension of
every delicate shade of meaning in a system of thought which has to be
grasped through the veil thrown around it by extreme difficulties of
language and written character, but at the same time he has never
attempted to endow it with a precision or logical completeness to
which it had no claim. By well chosen comparisons and illustrations he
enables us to understand how the Egyptian contented himself with vague
notions, and how he managed to harmonize ideas which seem to us
inconsistent.
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