A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We shall not enter into those details. We shall not seek to determine
the sense which the Egyptians attached, after a certain period, to the
word _bâi_,[115] which has been translated _soul_, nor the
distinction between it and _khou_, luminousness, which the soul seems
to have enveloped like a garment. We shall not follow the soul and its
internal light in its subterranean journey across _Ament_, the
Egyptian Hades, to which it entered by a cleft, _Pega_, to the west of
Abydos, which was the only portal to the kingdom of the shades; nor
shall we accompany them in the successive transformations which made
them acquainted with every corner of the earth and sky in the infinite
series of their _becomes_ (to use the Egyptian expression); what we
have to do is to trace out the most ancient of their religious
conceptions, the conception which, like the first teachings of
infancy, was so deeply engraved upon the soul and intellect of the
race as to exercise a much stronger influence than the later more
abstract and more philosophical theories, which were superimposed upon
it. In this primitive conception we ought to find the determining
cause of the Egyptian form of tomb. Its constitution was already
settled in the time of the ancient Empire, and, from the Memphite
dynasties until the end, it remained unchanged in principle. In this
constitution we shall find embodied the essential idea adopted by the
Egyptians when they first attempted to find some eternal element in
man, or, at least, some element which should resist the annihilation
of death for a period much longer than the few days which make up our
mortal life.
[115] Or _ba_.--ED.
The Egyptians called that which does not perish as the dying man draws
his last sigh, the _ka_, a term which M. Maspero has rendered as the
_double_. "This _double_ was a duplicate of the body in a matter less
dense than that of the body, a projection, coloured but aërial, of the
individual, reproducing him feature for feature, a child if coming
from a child, a woman if from a woman, and a man if from a man."[116]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account