A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
From the point of view of the ancient Egyptians such precautions were
by no means futile. Many of these effigies have come down to us safely
through fifty or sixty centuries and have found an asylum in our
museums where they have nothing to fear but the slow effects of
climate and time. Those which remain intact may therefore count upon
immortality. If the _double_ required nothing to preserve it from
annihilation but the continued existence of the image, that of
Chephren, the builder of the second great pyramid, would be still
alive, preserved by the magnificent statue of diorite which is the
glory of Boulak, and thanks to the durability of its material, it
would have every chance of lasting as long as the world itself. But,
unhappily for the shade of Pharaoh, this posthumous existence which is
so difficult of comprehension to us, was only to be prolonged by
attention to conditions most of which could not long continue to be
observed.
[Illustration: FIG. 90.--Stele of Nefer-oun. Boulak.]
It was entirely a material life. The dead-alive had need of food and
drink, which he obtained from supplies placed beside him in the
tomb,[131] and afterwards, when these were consumed, by the repasts
which took place periodically in the tomb, of which he had his share.
The first of these feasts was given upon the conclusion of the funeral
ceremonies,[132] and they were repeated from year to year on days
fixed by tradition and sometimes by the expressed wish of the
deceased.[133] An open and public chamber was contrived in the tomb
for the celebration of these anniversaries. It was a kind of chapel,
or, perhaps, to speak more accurately, a saloon in which all the
relations and friends of the deceased could find room. At the foot of
the stele upon which the dead man was represented sacrificing to
Osiris, the god of the dead, was placed a table for offerings, upon
which the share intended for the _double_ was deposited and the
libations poured. A conduit was reserved in the thickness of the wall
by which the odour of the roast meats and perfumed fruits and the
smoke of the incense might reach the concealed statues.[134]
[131] Jars, which seem to have been once filled with water, are
found in many tombs of all epochs. Different kinds of dates are
also found, together with the fruit of the sycamore, corn,
cakes, &c. See the _Catalogue_ of PASSALACQUA, pp. 123, 151, and
elsewhere. Quarters of meat have also been found in them, which
are easily recognised by their well-preserved bones.
[132] MASPERO, _Études sur quelques Peintures funéraires_, in
the _Journal Asiatique_, May-June, 1880, p. 387, _et seq._
Public-domain text, read in full here on John Shaqi.
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