A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The same sentiment led to the burial with the dead of all arms,
clothes, jewels, and other objects of which they might have need in
the next life. We know what treasures of this kind have been obtained
from the Egyptian tombs and how they fill the cases of our museums.
But neither was this habit peculiar to Egypt. It was common to all
ancient people whether civilized or barbarous. Traces are to be found
even in the early traditions of the Hellenic race of a time when, like
those Scythians described by Herodotus,[138] the Greeks sacrificed, at
the death of a chief, his wives and servants that they might accompany
him to the next world. When she began to reveal herself in the arts
Egypt was already too far civilized for such practices as these;
thanks to the simultaneous development of science, art and religion,
she found means to give the same advantages to her dead without
permitting Scythian cruelties. Those personal attendants and domestic
officers whose services would be so necessary in another life, were
secured to them at a small expense; instead of slaying them at the
door of the tomb, they were represented upon its walls in all the
variety of their occupations and in the actual moment of labour. So
too with all objects of luxury or necessity which the _double_ would
wish to have at hand, as for instance his food and drink.[139]
[138] HERODOTUS, iv. 71, 72.
[139] In a few rare cases the objects destined for the
nourishment of the _double_ are represented in the round instead
of being painted upon the wall. In the tomb of the personage
called Atta, a wooden table, supporting terra-cotta vases and
plucked geese carved in calcareous stone, has been found.
(MARIETTE, _Tombes de l'Ancien Empire_, p. 17.) The vases must
have been full of water when they were placed in the tomb; the
stone geese may be compared to the _papier-mâché_ loaves of the
modern stage.
A custom which would seem to have established itself a little later
may be referred to the same desire; we mean the habit of placing in
the tomb those statuettes which we meet with in such vast numbers
after the commencement of the second Theban Empire.[140] Mariette
obtained some from tombs of the twelfth dynasty, and the sixth
chapter of the _Book of the Dead_, which is engraved upon them, seems
to be one of the most ancient. Egyptologists are now inclined to
believe that the essential parts of this ritual date back as far as
the Memphite period.
[140] All Egyptian collections contain coffers of painted wood,
often decorated in the most brilliant fashion, which served to
hold these statues when they were placed in the tomb. The size
and the richness of their ornament depended upon the wealth of
the deceased for who they were made.
[Illustration: FIG. 94.--Labourers heaping up ears of corn, from a
tomb at Gizeh. (_Description de l'Égypte._)]
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