A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
"The use of the serdab is revealed by the objects which have been
found in it; it was to hold one or more statues of the deceased. The
Egyptians believed these statues to be the most certain guarantees,
always with the exception of the mummy itself, of a future life for
the dead. Hidden from sight in their dark prison, they were protected
from all violence, while they were separated only by a few stones from
the chamber where the friends and relations met together, and the
conduit by which the intervening wall was often pierced, allowed the
smell of fruit and incense and the smoke of burnt fat to come to their
nostrils.[170]
[170] In a Theban tomb described by M. MASPERO (_Étude sur
quelques Peintures funéraires_) the tenant, Harmhabi, is made to
speak thus: "I have come, I have received my bread; joining the
embalmed offerings to my members, I have breathed the scent of
the perfumes and incense." It is also possible that this conduit
may have been intended to permit of the free circulation of the
_double_, to allow it to pass from its supporting statues to the
chapel in which it is honoured. This curious idea, that the
spirit of the dead can pass through a very small hole, but that
it cannot dispense with an opening altogether, is found among
many nations. The Iroquois contrived an opening of very small
diameter in their tombs, through which the soul of the dead
could pass and repass. See HERBERT SPENCER, _Principles of
Sociology_, vol. i. p. 192.
[Illustration: FIG. 116.--Plan of a mastaba with four Serdabs.
(Lepsius, i., pl. 24.)]
[Illustration: FIG. 117.--Longitudinal section of the same mastaba.]
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