A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
"No inscriptions have been found in a serdab except those upon the
statues. And no objects other than statues have ever been found in a
serdab." So that the function of the serdab was to afford a safe and
final asylum to the statues. These were, no doubt, to be found in
other situations also, because, not to mention the numerous
bas-reliefs upon which the figure of the deceased appeared in the
chamber or in the niche which sometimes took its place, he was
sometimes portrayed in high relief, and of full life size, in the
public hall of the tomb.[171] Sometimes, also, we find a statue in one
of those front courts which, especially at the time of the fourth
dynasty, seem to have been in great favour. But this court, as well as
the chamber, was open to every chance passer by, and the statues
which they both contained were in continual danger from careless or
malicious hands. It was to guard against such chances as these that
the inventive architects of Egypt contrived a safe retreat in the
heart of the massive structure which should provide a reserve of
statues against every contingency. When all those which were exposed
to accident should have perished, these would still survive and would
furnish to the _double_ the material support, the tangible body, to
which that phantom was obliged to attach himself unless he wished to
perish entirely.
[171] There is an example of this in a mastaba at Gizeh (Fig.
120). See No. 95 of LEPSIUS (_Denkmæler_, vol. i. p. 29; vol.
iii. pl. 44).
[Illustration: FIG. 118.--Transverse section through the chamber.]
These precautions were not ill conceived. The serdab kept efficient
guard over its deposit; the museum of Boulak contains at least a
hundred statues from the ancient empire which were found at Sakkarah,
and nine-tenths of them were found in the serdabs.
[Illustration: FIG. 119.--Transverse section through the serdabs.]
We have now described all those parts of the tomb which were above
ground. We have not been content with visiting the chamber only, which
was freely left open, we have penetrated into the farthest recesses,
and have discovered those secrets of the massive walls which their
constructor thought to hide for ever from the eye of man. But even yet
we have not arrived at the actual place of burial; we shall reach it,
however, through our third internal division, the well or pit.
"The well is an artificial excavation, square or rectangular in plan,
never round, at the bottom of which is the chamber in which the mummy
is deposited.
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