A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
This tomb, when complete, included (1) a built up part which, being
raised well above the surface of the soil, was a conspicuous object in
the landscape; and (2) a subterranean part cut in the living rock
which was never more than a few feet below the surface of the sand.
The constructed part inclosed a chamber which was sometimes internal
and sometimes external, a chamber in which the relations of the
deceased deposited the funeral offerings, and in which the priests
officiated before the stele, to which the most conspicuous place was
always given. Sometimes this chamber is nothing more than a recess in
the _façade_, a mere frame for the stele. The structure also contains
a retreat in its thickness where the statues of the deceased were
walled up. The subterranean part is composed of the well and the mummy
chamber. The well is sunk from different parts of the building;
usually traversing its whole depth; it leads to the mummy chamber
which is found at varying depths in the bowels of the earth.
Such are the constituent elements of the _mastaba_, that is to say, of
those private tombs which were contemporary with the Pyramids. All
over Egypt, in every one of the cemeteries, no matter where they are
situated or what their date, the same elements are to be found,
modified in certain particulars by the rank of the deceased, by the
nature of the soil, by the size of the tomb, and by the changes of
fashion, but always to be easily recognized. Of all these elements
there is but one which does not persistently reappear in monuments
other than the mastaba, and that is the _serdab_. This retreat for
statues has not, as yet, been found in any of the royal tombs of the
first six dynasties, neither has it been met with in the tombs of the
two Theban empires, or of later epochs. And yet it was connected with
one of the most vital hopes of the Egyptian religion. It fulfilled in
the happiest manner, one of the conditions imposed upon the Egyptian
architect by the strange conceptions of a future life which we have
described. Why then do we, as a rule, find the serdab only in the
mastabas of the Memphite necropolis? Its absence under the Theban
princes is, perhaps to be explained by the progress made in the
science of embalming. The heads of more than one mummy have now been
exhibited in the cases of European museums for many years, and, in
spite of the dampness of our climates, they still preserve their skin,
their teeth and their hair (Fig. 126). When they had learnt the secret
of preserving the body from corruption, so that after a long series of
centuries it should be pretty much in the same condition as on the day
after death, they did not indeed, cease to make those images which
were supposed to guard the _double_ from annihilation, but they
attached less importance to their safety, and took less trouble to
hide them. They considered that they had done enough for their
preservation by putting them in the precincts of their tombs and
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