A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
temples, and so under the guardianship of their venerated religion.
As for the other parts of the tomb, a little attention will always
suffice for their identification even in those sepulchres which differ
most from the mastaba. In some instances we shall find the mummy
chamber contrived in the upper structure, in others the whole tomb is
cut in the living rock. Sometimes we find the chapel, as we may call
the public chamber in which the miraculous nourishment of the _double_
took place, more or less distantly separated from the mummy chamber;
sometimes the well almost disappears, sometimes it ceases to be
vertical and becomes a long corridor with but a gentle slope. As a
rule all these variations are easily explained, and may be connected
without difficulty with that primitive type which we have attempted to
define by its most wide-spread and constant features.
[Illustration: FIG. 126.--Head of a Mummy. Louvre.]
Another method of sepulture was made use of in the Ancient Empire, a
method which afterwards came into general use in Egypt, we mean the
_hypogeum_, or subterranean tomb. The Egyptian Commission has
described several rock-cut tombs in the neighbourhood of the Pyramids,
especially some which face the western slope of the Second Pyramid.
Similar tombs are to be found near the pyramid of Mycerinus. Some of
these sepulchral grottos declare their extreme antiquity by their
imitations of wooden architecture;[174] others by their inscriptions
dating from the fourth and fifth dynasties. We shall not dwell long
upon these rock-cut tombs. They are generally composed of one or two
small sculptured chambers, upon one of which the well opens which
leads to the mummy chamber. We shall postpone their study to a later
chapter, as the time of the Middle Empire affords us richer and more
complete examples of them than the earlier period; but, indeed, the
New Empire has left us the most important examples of this kind of
sepulchre. We shall here content ourselves with pointing out that the
architects of Memphis did not ignore the facilities offered by the
easily cut limestone rocks, not only for construction of well and
mummy chamber, but also for those open parts of the tomb where the
funeral rites and the ceremonies of the Ritual of the Dead were
performed. In the whole course of her long vitality Egypt did little
more, either in art or religion, than develop, with variations, the
themes presented to her by the generations which were ruled by her
first six dynasties.
[174] _Description de l'Égypte_, vol. v. p. 647, and _Atlas,
Ant._ vol. v. pl. 16, Figs. 3, 4, and 5.
THE PYRAMIDS.
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