A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We shall not waste our time in noticing and refuting those fantastic
explanations of the pyramids which have been given in modern times. We
shall not trouble ourselves to prove that they were not observatories.
Those sloping tunnels, at the bottom of which some modern writers
would set unlucky astronomers to watch the passage of stars across the
meridian, were hermetically sealed, and minute precautions were taken
with the sole object of obstructing and concealing their entrance. The
four slopes of the pyramid faced to the cardinal points, simply
because the orientation of the tomb was habitual with the Egyptians;
we have already explained its meaning. Still less need we occupy
ourselves with the theory, which made, however, some stir in its time,
that the pyramids were bulwarks by which the ancient Egyptians
attempted to keep back the sand from the fertile valley of the Nile.
The science of M. de Persigny was well worthy of his policy. There was
in both, the same turn for fantastic invention, the same want of
reflection and common sense. If such a costly barrier had been either
useful or necessary it should at least have been prolonged from one
end of Egypt to the other, and all the pyramids would not have been
found assembled, with but few exceptions, in the neighbourhood of
Memphis.[176]
[176] FIALIN DE PERSIGNY, _De la Destination et de l'Utilité
permanente des Pyramides d'Égypte et de Nubie contre les
Irruptions sablonneuses du Désert, Développements du Mémoire
adressé à l'Académie des Sciences le 14 Juillet, 1844_, suivie
d'_une nouvelle interprétation de la Fable d'Osiris et d'Isis_.
Paris, 1845, gr. in-8.
Public-domain text, read in full here on John Shaqi.
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