A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The _mastaba_ was the private tomb of the great lord or rich citizen
of primitive Egypt; the _pyramid_ was the royal tomb for the same
epoch, the tomb of that son of the gods, almost a god himself, before
whom all foreheads were bowed into the dust. As his head towered over
those of his prostrate subjects during life, so, after death, should
his sepulchre rise high above the comparatively humble tombs of his
proudest servants. The most imposing mastabas, before the sand had
buried them to the summit, must have looked small enough beside those
prodigious masses. They were ant-hills at the foot of a palace.
It may seem that in considering the mastaba before the pyramid we have
reversed the natural order. We were led to do so by the fact that the
enormous mass of the pyramids and their peculiarities of construction
compelled their architects to separate elements which are found
closely allied in the mastaba. In consequence of this separation the
elements in question have not all had the same fate. In the case of
the mastaba all survived or perished together, but, in the pyramids,
some are in a marvellous state of preservation, while others have
disappeared and left hardly a trace behind. We are therefore obliged
to make use of the private tomb in our restoration of that which was
peculiar to the king.
Philologists have attempted to trace back the etymology of the word
πυραμίς to the ancient language of Egypt. The term was first employed
by the Greeks, and from their language it has been adopted into that
of every civilized nation, with a meaning which is scientifically
exact. Its origin has been sought for in the coptic term _pi-rama_,
height, and in the term _pir-aa_, which occurs continually in Exodus,
and was used by Moses to signify the reigning Pharaoh. But
egyptologists now seem to be unanimous in rejecting both these
derivations. They are, we are told, refuted by the fact that the terms
which are supposed to have meant a pyramid are never used in that
sense in any of the texts. 'The words which mean a royal tomb or a
tomb of any kind, have not the remotest likeness,' says Herr
Brugsch,[175] 'to the term πυραμίς. Each royal pyramid had its own
name, a composite epithet which was peculiar to itself.' Thus the
largest of them all was called "the brilliant dwelling of Choufou;"
the second, "the great;" the third, "that which is on high." The word
_pyramid_ appears therefore to be a purely Greek term, derived from
πῦρ, fire, and suggested by the similarity between its shape and that
of a tongue of flame.
[175] _History of Egypt_ (English version, Murray, 1879), vol.
i. pp. 72, 73.
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