A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
There is also something unpleasant to the eye in the sharp angles
which form the three _arêtes_ of the tetrahedron; it looks as if there
had been a lack of material, and as if the structure would suffer in
consequence. The four-sided pyramid has more dignity and more
amplitude; its four faces, placed back to back in pairs, seem to
counterpoise and sustain each other in a fashion which is impossible
in the case of the tetrahedron.
[Illustration: FIG. 128.--Plan of the Pyramid of Cheops.]
The one characteristic possessed in common by those relics of the
Ancient Empire which we call pyramids, is their four-sidedness. To an
attentive observer these buildings offer more diversities than would
at first sight be believed. From Meidoum in the south to Abou-Roash in
the north is a distance of 43-1/2 miles as the crow flies. Between
these two points, which may be called the northern and southern
boundaries of the pyramid field, about one hundred have been
discovered, sixty-seven of which have been examined by Lepsius. Now,
in this whole number there are not two which resemble each other in
all particulars, or which seem to be copies of one model. We do not
refer only to their height, which differs in an extreme degree. The
three large pyramids at Gizeh are 482, 454, and 218 feet high
respectively, while at their feet are several little pyramids which
hardly exceed from 50 to 70 feet of vertical height. Between these two
extremes many of intermediate sizes may be inserted. The Stepped
Pyramid, near Sakkarah, is about 190 feet high; the largest of those
at Abousir is about 165; one of those at Dashour is not quite 100
feet. These differences in height are easily explained by one of those
national habits to which we have already alluded. Every Egyptian, as
soon as he arrived at years of discretion, set about building his own
tomb. He dug the well and the mummy chamber, he caused the sarcophagus
to be carved and the funerary chapel to be built. It often happened
that those who had ordered such works died long before they were
finished, and it would seem that their heirs were content with doing
no more than was strictly necessary. They placed the mummy in its
grave with the prescribed ceremonies, they filled up the well and
sealed the private parts of the tomb; but being occupied with the
preparations for their own funeral, they did not continue the
decoration of the chapel, which thenceforward remained _in statu quo_.
Thus only can we explain the state in which several important tombs
have been discovered both at Memphis and at Thebes. On one wall we
find paintings and sculptures carried out with the greatest care and
finish, while on another nothing is to be seen but the first rough
outline, in red paint, by the artist charged with the undertaking. The
completion of the work must have been suddenly arrested by the death
of the destined inhabitant of the tomb.
[Illustration: FIG. 129.--The great pyramid and the small pyramids at
its foot; from Perring.]
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