A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
It was the same with the sepulchres of the kings. Each sovereign began
the construction of his pyramid as soon as he found himself upon the
throne. But, in case his life and his reign should be cut short, he
began with those constituents of the tomb which were absolutely
necessary. He pressed on the work until he had raised a pyramid of
moderate size with its mummy chamber. When this point had been
reached, his immediate anxiety came to an end; but that was no reason
for interrupting the course of the work. The higher and wider his
pyramid, the more efficient a guardian of his body would it be, and
the more impressive would be the message carried down by it to
posterity as to the power of its builder. Year after year, therefore,
he employed crowds of impressed workmen to clothe it in layer after
layer of dressed stone or brick, so that the edifice raised in
comparative haste at the beginning of his reign, became in time
nothing but the nucleus or kernel of one many times its size.[187] The
construction was thus begun in the centre and was developed outwards,
like the timber of a tree in successive years. As the pyramid grew in
extent and height, each successive coat, so to speak, required more
hands and more time. We have no reason to believe that each coat had
to be finished within a certain period, and so it would be futile to
attempt to found any calculation as to the duration of the different
reigns upon the number of these concentric layers; but we may assert
in a general way that the highest pyramids correspond to the longest
reigns. We know, by the witness of ancient authors, that the kings who
built the three great pyramids at Gizeh, namely, Cheops, Chephren, and
Mycerinus, each reigned about sixty years. History thus confirms the
truth of the induction which arises from the study of those monuments
and from a comparison of the constructive processes made use of by the
architects of the pyramids.[188]
[187] This method of construction may be easily recognized in
the Pyramid of Meidoum. That curious structure was built in
concentric layers round a nucleus. These layers are by no means
equal in the excellence either of the workmanship or of the
materials employed. Some show supreme negligence; in others we
find the builders of the Ancient Empire and their materials both
at their best. The same fact has been observed in regard to the
Stepped Pyramid and the pyramids at Abousir. It would seem that
the work was assigned in sections to different _corvées_, whose
consciences varied greatly in elasticity. (MARIETTE, _Voyage de
la Haute-Égypte_, p. 45.)
[188] LEPSIUS, _Briefe aus Ægypten_, pp. 41, 42 (in speaking of
the Pyramid of Meidoum, from which he received the first hint of
this explanation). See also his paper entitled _Ueber den Bau
der Pyramiden_, in the _Monatsbericht_ of the Berlin Academy,
1843, pp. 177-203.
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