A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Do these parallel walls reach from top to bottom? A detail discovered
by Minutoli would seem to indicate that a base was first constructed
of sufficient extent for the whole monument. In the lower part of the
Stepped Pyramid Minutoli[196] shows concave courses of stone laid out
to the segment of a circle. These courses formed a kind of inverted
vault, abutting, at its edges, upon the rock. This curious
arrangement should be studied upon the spot by some competent
observer. As we do not know whether these curves exist upon each face
or not, or whether they meet each other and penetrate deeply into the
structure or not, we cannot say what their purpose may have been. But
however this may be, they afford another argument against the notion
that all the great pyramids were built round such a pyramidoid core as
that represented by our Fig. 136. We fear that this system must be
regarded merely as an intellectual plaything. The views of Lepsius as
to the enlargement of the pyramid by the addition of parallel slices
are worthy of more respect, and their truth seems to be demonstrated
in the case of some pyramids. But these all belong to that category of
monuments which have subterranean chambers only. We have yet to learn
that they were ever made use of in those pyramids which inclose the
mummy-chamber and its avenues in their own substance. Variety is
universal in that Egypt which has so often been described as the land
of uniformity and immobility--no two of the pyramids resemble each
other exactly.
[196] _Voyage au Temple de Jupiter Amman et dans la
Haute-Égypte._ (Berlin, 1824, 4to. and folio; Pl. xxvii. Fig.
3.)
[Illustration: FIG. 145.--Partial section of the Stepped Pyramid; from
Minutoli.]
We have yet to speak of two ancient monuments in which some would
recognize unfinished pyramids, namely, the Pyramid of Meidoum and the
Mastabat-el-Faraoun. We do not agree with this opinion, which has,
however, been lately put forward, so far, at least, as the former
monument is concerned.[197] These two sepulchres seem to us to
represent a different type of funerary architecture, a type created by
the ancient empire, and meriting special notice at our hands.
[197] BÆDEKER, _Egypt_, part i. 1878. The pages dealing with the
monumental remains were edited in great part by Professor
Ebers.
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