A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The exploits of these princes, which were greater than anything of
which Egypt had to boast in the whole of its glorious past, must have
helped to suggest the temple form of their tombs. To this form the
general movement of the national art also pointed, and to give it
effect nothing more was required than the separation of the chapel
from the tomb proper, to which previous tradition had so closely
allied it. The situation of the sepulchre, after Thebes had become a
populous city and the real capital of Egypt, was no longer a matter of
question. It was in the rocky flanks of the Libyan chain that all its
inhabitants sought that asylum for their dead which the inhabitants of
Memphis found upon the eastern edge of the desert. The Libyan chain to
the west of Thebes offers no platform like that of the necropolis of
Memphis. Its cliffs and intersecting ravines offer no sites for
constructed works; hence the ordinary form of Theban tomb is the
_speos_, or the _pipe_, which is but an exaggerated form of the
_speos_.
Like the chief men among his subjects, the sovereign loved to take his
last repose in the immediate neighbourhood of the city in which he had
dwelt during his life, in which the streets had so often resounded to
the cries of triumph which greeted his return from some successful
campaign, or had seen him pass in some of those long processions which
are figured upon the walls of Medinet-Abou (Fig. 172).[239] His tomb
was a cavern like that of his subjects. Fashion and the physical
conditions of the country governed him as well as his inferiors in
rank. From the reign of Seti I. onwards, the kings chose for their
place of sepulture the wild and deserted valley in which Belzoni found
the tomb of that conqueror. In the time of the Ptolemies it contained
the bones of no less than forty Egyptian monarchs. It would be
difficult to imagine any site better calculated for the isolation and
concealment of the mummy than this valley, where the rocks split and
crumble under the sun, and the sand blown hither and thither by the
winds from the desert fills up every crevice in the cliffs.
[239] Fig. 172 reproduces only a part of the long plate given
in Wilkinson. In order to bring the more important groups within
the scope of one page, we have been compelled to omit the
central portion, which consists principally of columns of
hieroglyphs.
[Illustration: FIG. 172.--Rameses III. conducting a religious
procession, at Medinet-Abou. (Wilkinson, iii., pl. 50.)]
Nothing could be easier than to mask the entrance in such a place,
but, on the other hand, no constructed building of any importance was
possible except at a great expenditure of time and labour.[240]
[240] See the description of the Valley of the Kings in the
_Lettres d'Égypte et de Nubie_ of CHAMPOLLION (p. 183 of the
second edition).
Public-domain text, read in full here on John Shaqi.
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