A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
But the plain at the foot of the range offered all that the architect
could wish. It was still within the district consecrated to the dead,
and yet its level surface presented no obstacles to an unlimited
extension of any buildings which might be placed upon it.
We have here then the facts which determined the course of the
Egyptian architects.
In the space inclosed between the left bank of the river and the first
slopes of the Libyan chain, certain edifices were raised which are
still, in great part, extant. Their funerary signification was never
completely understood, in spite of the confused hints to that effect
given by the Greek writers, until within the last few years. To
Mariette belongs the credit of having at last removed all doubt on the
subject. It is probable enough that the number of these buildings was
formerly much greater than it is at present, but those which have come
down to us are still in sufficiently good preservation to enable us to
discern and define their true character, a character which was
doubtless common to all the temples on the left bank of the Nile.
They were certainly temples. Their general arrangements do not differ
from those of other religious edifices, both in Thebes itself, and
elsewhere in Egypt. There is, however, a difference which was not
perceived until the texts which contained the history of each temple
and of the prince who claimed the credit of its erection were
deciphered. The famous buildings at Luxor and Karnak may be taken as
typical examples of the temple, properly speaking, in its richest and
most complete development. The translation of the inscriptions and
royal ovals which cover their walls has sufficed to show that they
were national monuments, public sanctuaries consecrated by the king,
as the representative of the people, to the worship of those great
deities who were at once the principles of life and the faithful
protectors of the Egyptian race. Century after century they never
ceased to found such temples, to increase and to embellish them. From
the princes of the twelfth dynasty down to the Ptolemies, and even to
the Roman emperors, every successive family which occupied the throne
held it a point of honour to add to the creations of its predecessors.
One prince built a hypostyle hall, or a court surrounded by a
colonnade; another added to the long rows of human or ram-headed
sphinxes which lined the approaches; a third added a pylon, and a
fourth a laboriously chiselled obelisk. Some kings, who reigned in
periods of recuperation after civil war or barbaric invasion, set
themselves to repair the damage caused by time and the violence of
man. They strengthened foundations, they lifted fallen columns, they
restored the faded colours of the painted decorations. The foreign
conquerors themselves, whether Ethiopians, Persians, or Greeks, as
soon as they believed themselves to have a firm hold upon the country,
set themselves with zeal to obliterate the traces of their own
violence.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account