A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Each of these sovereigns, whether his contribution to any
work had been great or small, took care to inscribe his own name upon
it, and thus to call upon both posterity and his own contemporaries to
bear witness to his piety.
The temple as we see it at Karnak and Luxor is the collective and
successive work of many generations. Such, too, was the character of
the great buildings at Memphis which were consecrated to Ptah and
Neith.
But on the left bank of the Nile, and in the neighbourhood of the
Theban necropolis, we find a group of temples whose physiognomy is
peculiar to themselves. Nothing exactly like them is to be found
elsewhere;[241] and they all belong to one period, that of the three
great Theban dynasties, the eighteenth, nineteenth, and
twentieth.[242] "These temples are monuments raised by the kings
themselves to their own glory. They are not, like the temples at
Karnak and Luxor, the accumulated results of several generations.
Each temple was begun and finished by the king who planned it, so far
at least as construction was concerned. In those cases where the
decoration was left incomplete at the death of the royal builder, his
successor finished it in his name. In these decorations the founder of
the temple was represented either worshipping the gods, or in the
eventful moments of his military career, or in his great hunts; and
thus, while yet alive, he laid the foundations of an edifice destined
to carry the memory of his glory and piety down to the latest
posterity."[243]
[241] EBERS, indeed, found something of the same kind in the
temple of Abydos. He found there a cenotaph consecrated to his
own memory by Seti I. This cenotaph was near the tomb of Osiris,
while the king himself was buried in the Theban necropolis.
(_Ægypten_, pp. 234, 235.)
[242] The beautiful little temple of Dayr-el-Medinet, begun by
Ptolemy Philopator and finished by his successors, especially by
Physco, has often been considered a funerary monument. It is
alleged that the situation of the temple in the necropolis, and
the nature of the subjects represented in the interior,
particularly in the Western Chamber, prove that it was so. If we
accept this opinion, we must look upon the temple as a mere
freak of fancy, suggested to Ptolemy Philopator by a journey to
Thebes. The Greek prince was interred far from it, and it could
have formed no part of his tomb.
[243] MARIETTE, _Deir-el-Bahari_, § 1. (Atlas, folio, Leipsic,
1877, with 40 pages letterpress, 4to.)
[Illustration: FIG. 173.--Rameses III. hunting; from Medinet-Abou.]
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