A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Medinet-Abou, which might be called _The Second Ramesseum_, is to
Rameses III. what the pretended tomb of Osymandias is to Rameses II.
His presence pervades both the temple itself and its adjoining
pavilion. Its bas-reliefs represent one of the greatest events in
Egyptian, we might almost say, in ancient, history, namely, the
victory won by Rameses over a confederation of the nations of the
north and west, of those who were called the maritime races. This
victory was mainly instrumental in driving westwards certain peoples
who were destined, in more recent times, to play a great part in the
politics of the Mediterranean.
Each of the buildings which we have just noticed had but a single
proprietor. They were each dedicated to the memory of some one
individual; but there was nothing to prevent the association in a
single temple of two sovereigns who might happen to be united by
strong ties of blood, and this course was taken in the temple of
Gournah, situated in the same district of Thebes. It was commenced by
Rameses I., the founder of the nineteenth dynasty, continued by his
son, Seti I., and finished by his grandson, Rameses II. The first
Rameses and Seti figure in it with the attributes of Osiris. The
inscriptions enumerate the sources of revenue set aside by the king,
in each nome, for the service of the annual sacrificial celebrations;
and thus the building reveals itself as a temple to the perpetual
honour of the two first princes of a race which did so much to add to
the greatness and prosperity of Egypt.
The famous colossi of Amenophis III., known to the ancients as the
_Statues of Memnon_, no doubt formed part of a similar building (Fig.
18 and Pl. vi). The temple built by this prince near the site of the
Ramesseum has almost entirely disappeared, but the slight traces which
still exist cover a vast space, and suggest that the building must
have been one of rare magnificence.[245]
Public-domain text, read in full here on John Shaqi.
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