A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We shall here content ourselves with remarking that the separation of
the tomb and the funerary chapel by some mile or mile and a half was a
novelty in Egypt. The different parts of the royal tomb were closely
connected under the Memphite Empire, and the change in arrangement
must have been a consequence of some modification in the Egyptian
notions as to a second life.
[Illustration: FIG. 176.--Amenophis III. presenting an offering to
Amen. Decoration of a pier at Thebes; from Prisse.]
In the mastaba the _double_ had everything within reach of his hand.
Without trouble to himself he could make use of all of the matters
which had been provided for the support of his precarious existence:
the corpse in the mummy pit, the statues in the _serdab_, the
portraits in bas-relief upon the walls of the public chamber. Through
the chinks between the pieces of stone by which the well was filled
up, and through the conduits contrived in the thickness of the walls,
the magic formulæ of the funerary prayers, the grateful scent of the
incense, and of the burnt fat of the victims (Fig. 177), reached his
attentive senses. Brought thus into juxtaposition one with another,
the elements of the tomb were mutually helpful. They lent themselves
to that intermittent act of condensation, so to speak, which from time
to time gave renewed substance and consistency to the phantom upon
which the future life of the deceased depended. This concentration of
all the acts and objects, which had for their aim the preservation of
the deceased for a second term of life, was obviously destroyed as
soon as the division of the tomb into two parts took place. The mummy,
hidden away in the depths of those horizontal wells in the flank of
the Western Range of which we have spoken, would seem to be in danger
of losing the benefit of the services held in its honour upon the
Theban plain. At such a distance it would neither hear the prayers nor
catch the scent of the offerings. And the _double_? Is it to be
supposed that he oscillated between the colossi in the temple where
the funerary sites were celebrated, and the chamber in which the
corpse reposed?
[Illustration: FIG. 177.--Flaying the funerary victim. From a tomb of
the 5th dynasty at Sakkarah. (Boulak.)]
Public-domain text, read in full here on John Shaqi.
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