A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Before they could have accepted this division of the tomb into two
parts the Egyptians must have arrived at some less childish conception
of the future life than that of their early civilization. That
primitive conception was not entirely banished from their minds;
evidence of its persistency is, indeed plentiful, but a more
intelligent and less material notion gradually superimposed itself
upon the ancient belief. The indescribable being which was the
representative of the deceased after death became gradually less
material and more spiritual; in time it escaped from its enforced
sojourn in the tomb and approached more nearly to that which we call
the soul. This soul, like the nocturnal sun, passed a period of
probation and purgation in the under world, and, thanks to the
protection of Osiris and the other deities of the shades, was at last
enabled to return to earth and rejoin the body which it had formerly
inhabited. The problem of death and a future life was resolved in much
the same way by the Greeks and by all other races who drew much of
their inspiration from the Egyptians. They all looked upon the corpse
as still alive when they expressed their hopes that the earth upon
which they poured out wine and milk would like lie lightly upon it.
After a time they added Tartarus and the Elysian Fields to their
beliefs, they introduced the heroic fathers of their race into the
councils of the gods, and they described and figured the joys which
awaited the just upon the Happy Islands.
These various hypotheses are contradictory enough from a logical point
of view; they exclude and destroy one another. But when it is a
question of notions which are essentially incapable of being strictly
defined, the human intelligence is singularly content to rest in vague
generalities. Contradictions do not embarrass it; its adaptability is
practically infinite.
Public-domain text, read in full here on John Shaqi.
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